Showing posts with label southword. Show all posts
Showing posts with label southword. Show all posts

Saturday, August 20, 2022

Poetry collection + book bundles


*I’m donating £1 from every sale to the fuel poverty charity National Energy Action*

My new poetry collection, Still Life With Octopus', published by Nine Arches Press, is now officially launched! If you'd like to buy a signed copy, you can get one directly from me by using this PayPal link - and please do let me know who to sign it to if not to you! 

UK/Europe/Rest of World


If you'd like to pick up a copy of some of my other books too, I have a few book bundles available at discount price while stocks last. If you'd like to buy any other combination, email me, I'd be happy to arrange that.
 
 
Buy both my Nine Arches Press poetry collections
UK/Europe/RoW
 
Buy Still Life With Octopus and my second poetry pamphlet (joint winner, Live Canon pamphlet contest, 2019).
UK/Europe/RoW
 
Buy Still Life With Octopus + both poetry pamphlets
UK/Europe/RoW
 
Buy all four of my poetry books - 2 collections + 2 pamphlets
UK/Europe/RoW
 

 
 
 
 
 
 
Buy Still Life With Octopus + my flash fiction collection, My Mother Was An Upright Piano (Tangent Books, 2012)
UK/Europe/RoW

Thursday, October 04, 2018

National Poetry Day special offer!

 
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It's National Poetry Day here in the UK today, and to celebrate, I have a special offer: buy a copy of my poetry collection, Terms & Conditions and get a FREE copy of my poetry pamphlet, Nothing Here Is Wild, Everything Is Open, FREE postage in the UK (£3 for rest of world) – and I will donate £1 from every sale to Book Aid International, a charity making sure everyone has access to books.

Wednesday, December 22, 2010

Sean O'Faolain Winner and Finalists in New Issue of Southword


For your holiday reading pleasure, the new issue of Southword journal has just been published with the winner and finalists of the Sean O'Faolain short story contest which I was honoured to judge this year. (See the final results here). The winning story is Eddie by Nikita Neilin and in 2nd place, No Angel by Bernie McGill. I hope you enjoy them, and the four runners-up, as much as I did!

Friday, August 06, 2010

Southword 18 now online with my fiction selections

The fruits of my first gig as Fiction Editor are now unveiled, with the publication of Southword Issue 18! I am delighted to announce that the fiction line-up is:

Felstead & Waddell- Hair Stories
Paul McMahon- The girl with drowned sailors in her eyes
Nora Nadjarian- La Dolce Vita
Helen R. Peterson- The Honeymoon is Over
Angela Readman- Belief
Ethel Rohan- At the Peephole 
and  a short story translated from Chinese by Wang Zhousheng- The Beautiful Mushrooms

I hope you enjoy my picks, I'm off to finish reading the Sean O'Faolain entries! Some real gems there too.

Thursday, January 07, 2010

Lots of lovely short story related stuff

First, for all of those who are concerned about submitting to Southword because I know you - this is new for me too. I've never been in this position. I only have one issue to fill - the 2nd issue of the year publishes the winner and finalists of the Sean O'Faolain competition  - so I won't be able to choose every story that I love. I will have to reject quite a lot of fantastic writing, I imagine, because it's not about the "best" it will most probably be about the ones that fit "best" together in some way. Please don't let it put you off - no, it's not anonymous, and I would love to read your work. If you want, you can always submit under a pseudonym. Really.

Email me if you have any more concerns. Let's venture into the unknown together!

Next: my article on the joys of short stories, Stopping to Smell the Miniature Roses, is in the latest issue of Bellatrista. I was delighted, as always, to be asked to tell the world why everyone should read what we all know to be wondrous creatures. If this gets just one person into short stories, it'll be worth it all!

Finally - the new issue of The Short Review Jan 2010, with an interview with the fabulous A L Kennedy, THREE books to give away, and we are the latest stop on the Short Circuit virtual book tour. Here's the blurb.

2010 sees the launch of The Short Review 2.0. What does this mean? It means we want to hear from you. Let's talk: about reviews, interviews, short stories, writing... come and join in the conversation on our new discussion forum.

This Month: From flames to madmen, ruins, relics, Indians and happy shades - reviews of debut collections by Alice Zorn, Daniel A Hoyt, Midge Raymond, Andrew McNabb and Hassan Blasim (translated into English for the first time) alongside Alice Munro's first collection from 1968, and Sherman Alexie's third collection and A L Kennedy's fifth, Tales of the DeCongested's second anthology and the Atlantis Collective's first.

And interviews with A L Kennedy, Alice Zorn, Dan Hoyt, Midge Raymond, Andrew McNabb, Hassan Blasim...

AND

Competitions: 3 very different books to give away this month: The Madman of Freedom Square by Hassan Blasim, The Body of This by Andrew McNabb, and Short Circuit: A Gudie to the Art of the Short Story, edited by Vanessa Gebbie (see below). Find out how to win>>

And On the Blog: The Short Review is delighted to be a stop on the Virtual Book Tour for Short Circuit: A Guide to the Art of the Short Story. Says Short Circuit ed Vanessa Gebbie: "On one level, a reader looks for entertainment – to be taken out of themselves for a while, by following a complicated plot. The reader who actively seeks that experience, sustained for the length of time it takes to read a novel, who then switches to read a good short story, expecting it to deliver something similar, will be disappointed. " Read the rest of the blog post here >>

Wednesday, January 06, 2010

Southword - submissions now open

A quick note to say that my new role as Fiction Ed for 2010 of Southword, Munster Literature Centre's esteemed literary journal, has begun, and submissions are now open. I have copied and pasted the Submission Guidelines are as follows (please don't submit directly to me):

Submission Guidelines

Southword has published the likes of Haruki Murakami, James Lasdun, and Colm Toibín if you would like to join their esteemed company carefully read the directions which follow.
1 All manuscripts must be sent via email to the appropriate editors, during open reading times only. Email addresses will be made available during open reading times on this page. (See item #6). Submissions are no longer accepted by post, as Southword is now an online journal.
2. Work should be submitted as an attached document. The end of the Microsoft Word file name should read ' .doc' ONLY. Please be aware that if you have the most recent Microsoft Word program, it will automatically save as a ' .docx ', which we do not accept. Please manually save the file using 'Save As' as a 'Word 97 - 2003 Document'. If you are a Mac user, please send us an ' .rtf' file or paste your work into the body of an e-mail.
3. If submitting poems and prose simultaneously they will be considered by different editors at different times, so to be sure of a response please email the appropriate editor. To submit poetry, please e-mail poetryeditor@munsterlit.ie. To submit short fiction, please email fictioneditor@munsterlit.ie.
4. There is a strict submission limit of 5 poems or 3000 words in short stories. If submitting multiple poems, they should be contained within one document please.
5. Attach an up-to-date biographical note with a cover letter, keeping with the document format instructions in point #2.
6. Both Poetry and Fiction are considered between January and March 15th each year for our summer issue. Poetry alone is considered between July and September 15th for our winter issue. PLEASE NOTE after the close of the submission date the poetry editor will make a selection. Because of the number of submissions it may not be possible to reply individually. If no response has been received by the end of September please assume that your submission has been unsuccessful.

Visit Southword online to read the current issue. But in terms of my personal tastes, I am open to everything from the very tiny right up to 3000-word stories as long as you surprise me, you never give me a minute to think, Hmm, do I want to carry on reading this? I love experimental work, but not for the sake of it. It's still got to be a great short story. Is this helpful? Probably not! I read so many short stories for review for The Short Review, so much that I would never have read because it is shelved under some "genre" or other, that I would never say that there is any type I won't read. My mind is open. Delight me.