"Short stories are gems that light up our lives. Please retain them on Radio 4. Readers, writers and listeners all have our lives enriched by short fiction. I urge you to reconsider and then reverse this extraordinary decision."
"My father went blind in his later years and relied on audio recordings. Yes, there are audio books but the whole point to the radio is to have an opportunity to taste the unexpected."
"I've been learning English by reading AND listening to short stories. Reducing the short story output on Radio damages not only the pleasure of the listeners but culture/education/learning also."
Radio 4 has always been a beacon of light in the world of the short story - why turn off that light when it costs so little and achieves so much?
My husband doesn't really enjoy reading, but will happily listen to short stories on Radio 4 and will thoroughly enjoy them. If we're listening in the car we have stay there until the story is finished, even if we've reached our destination! Far too important to cut back.
"I LOVE the short story slot. I switch on my radio at 3.30pm purely for that and nothing else...I even listen to the end of Money Box Live so I don't miss the beginning of the story. It is the one moment in my day where I can switch off from everything else and enter another world. We all need stories: they make us understand the world in which we live. They persuade us to empathise, to see another perspective, to understand other cultures, to imagine ourselves in someone else's shoes. Stories are what make us human and interactive. Don't take them away."Click here to read more comments... and don't forget to sign!
...Philip Pullman, speaking last night in support of the Save Our Six Libraries initiative, came out strongly in support of story. And spoken story. And the importance of hearing fiction read, (he talked about children, but in context, in a celebration of language - and his remarks can equally be applied to radio, and adults...)Yippee! Save the libraries too...
Thanks so much for asking me to take part in this, Tania. So to begin, some may say my writing is all over the place:
Poetry
Novels
Short stories
Plays
Magazine articles
My blog (of course)
Endless emails
Good morning Ladies,
Oh my- this might be a bit of an embarrassment showing explicitly what a writing whore I am but here goes:
Adult short stories
Short stories for kids
Detective novellas
Romance novellas
Adult novels
Children’s books
Magazine articles
Newspaper articles-primarily science and health
Newspaper column on writing books and publishing (this is new)
Radio educational programmes (science, maths and English for primary)
TV scripts- drama series for private production company and HIV/AIDS NGO
Science textbooks for primary and junior secondary school
English textbooks junior secondary
Blog
I think that’s it.
Hi Guys. This is fun. I think I may be different from Sue as I must make a living from my writing, I must have a monthly income of a certain amount from writing. My husband is a government school headmaster (translated as low paying) and we have two kids. I need to work. I don’t want to take a day job. I want to earn my share from my writing. I know it is politically incorrect to say that I write to earn a living, but that’s it. Keeping it real- as it is.
I have two adult novels I wrote with no market in mind- I just wrote them- they sit unpublished and will likely remain there unless I break out and then conveniently die. From that experience, I know I don’t like writing that doesn’t get published. I view it as a failure (normally) or as a lesson when I’m being kind hearted.
So having said that, I always know where I’m going when I start. I don’t always know which publisher I will send to, or contest, or magazine but I know if I am writing a romance or an adult novel or a children’s book; I know if it will be genre or literary. I am an anal Capricorn – I plan most everything in my life, and after those first two ‘organic’ novels I decided I was going against my innate nature to do otherwise with my writing. Occasionally I will tweak something afterward to have it more streamlined for a particular mag or publisher that I eventually choose. I usually start with an idea that stews in my mind until it gets the right amount of ‘tension’ behind it, but when I get to work at the computer, I know already what I am writing.
Hi Guys. I’m back!
First, I want to say that I think Lauri is amazing to be able to reliably have a monthly income from her writing. That is something I have only dreamed of...I don’t think it is “politically incorrect” at all to say that you write for a living. It is what I aspire to. I am very lucky in that my family does not rely on me for income. To be honest, if that was the case I’m not sure what sort of writing I’d be doing at all.
But as far as knowing what genre a new piece will be, like Lauri, I know at the start. An idea will come to me, and the form it will take will come along with it. With poetry, I do tend to sit down with my “poet’s head” on and think, “ok, it’s time to write a poem. What will it be?” But with other genres, the piece itself will dictate the form. For example, plays will grow out of a very visual kind of imagining. Although all my writing, including poems, seems to originate with character, in a play I imagine that character in a specific space like a restaurant or a sitting room, whereas fiction places the character first and foremost in time. When I write a story, the time is compressed, as in a day or a few hours. In a novel, time expands to cover a series of months or a year. Certainly, there have been great novels that take place in just one day (ie Joyce’s Ulysses). And there have been many short stories that cover an entire lifetime. But for me, so far at least, fiction examines how a character evolves over time and the breadth of that time period helps to dictate the form. But to be honest, I have recently found that the more pieces I have written and the more pieces I am trying to find a home for, the more I need to think about how much time I myself have. Do I have the time or energy to begin to write something that I know can’t possibly take me less than a year or two to finish, like a novel, or should I wait before taking on another task of that magnitude and use my time to work on shorter pieces? For the first time in my writing life I find myself in precisely that position right now. I presently have a novel, 2 plays, a short story and a poetry collection “out there.” I know all of them will eventually need revising and reworking. So I’m holding off beginning the new novel I have in mind until most of what is already out there is really finished. So I suppose I’m saying that the more writing becomes a business for me, the more I put brakes on myself and steer myself towards one genre or another, depending on outside unrelated factors.
Yes, this is fun. Lob us another one, Tania!
