Showing posts with label jewish book week. Show all posts
Showing posts with label jewish book week. Show all posts

Sunday, February 10, 2013

Short Story Event Ticket Giveaway!

I will no longer be chairing this event due to the loss of my beautiful cat, but please do go, she is a wonderful writer.


I am incredibly honoured to be "in conversation" at Jewish Book Week in London on Feb 27th with renowned American short story writer Edith Pearlman, whose 4th collection, Binocular Vision, was published in 2011 - and was reviewed by Sarah Hilary on The Short Review. I've just republished the review on the site as part of our From the Archive feature. Sarah says of the collection:
On the middle shelf of my bookcase I have two piles of books, side by side. One is two feet deep and represents twelve novels I’ve yet to read. The other pile is for short story collections, and has just one book at present: this one. I’ll have read more stories, met more characters, laughed and cried and sighed more often reading this one collection than all the novels put together. Such is the skill of the author.
I whole-heartedly agree. I love this book - all her stories, actually. Edith should be far far better known worldwide - but this is her first UK event, and frankly it is unmissable for anyone who loves great stories, of all lengths. I can't wait to ask her questions about her writing and chat about stories!

And for you, my dear blog readers, I have one FREE ticket to give away! All you need to do is express interest here in the comments section and I will pick a winner on Feb 20th, giving the lucky winner a week to make travel arrangements and the rest of you time to get your hands on a ticket. If you want to read one of Edith's stories, try Capers, published in Ascent. Hope to see you on the 27th!

Wednesday, February 25, 2009

Enquiring Young Minds

I had the most wonderful time yesterday during my visit back to my old school, South Hampstead High School. (On the left is the poster they put up about my upcoming talk).

I wrote to them when I saw they on the school's website that they had a Creative Writing club, something that hadn't been there in my time (a phrase I came to overuse considerably during my visit!). We arranged that I would come during lunch break and talk to a group of 14- and 15-year-old girls (it's an all-girls school) about... well, I decided I would ask them what they wanted to talk about!

I have to admit being a little nervous about how it might be going back to my old school, a place that wasn't chock full of happy memories. But, frankly, either my memory is so bad or the school has changed so radically - I barely recognised a single corner!

I met with Barnaby, the teacher who had set up the meeting, and he took me and the girls into the library where we sat around a table, and lunch - including Cadbury's Chocolate Fingers, what is the education system coming to?? - was brought.

We were joined by more and more pupils as time went on...and after a bit, we decided that instead of eating lunch and moving me to the more formal section of the library, where chairs had been set up for my "talk", I'd just talk here and anyone could ask questions.

They wanted to know how I became a writer, so I told them all the lengthy tale, from age 6 (voracious reader, etc...), through the sidetracked-into-science years from 13 to 23 (A Levels, University degree in Maths and Physics, MSc in Philosophy of Science), science journalism (1994-2007) and the joys of meeting scores of optimistic entrepreneurs and scientists who believed they would change the world, and then the return to fiction, slowly, slowly. Ending up with: the book.

I told them how it was a meeting with a friend of a friend in Jerusalem who had published a number of short stories that showed me that "real" people wrote fiction, it wasn't for some exalted few, who had studied English at University, who knew the right people, et...Meeting him showed me that maybe, maybe, I could do it too.


The night before, I had heard neuroscientist Baroness Susan Greenfield talk at Jewish Book week (blog post coming soon) about her fears for the younger generation that staring at a screen instead of reading books would turn them into thrill-seekers with no regard for the consequences of their actions, instead of "contextual" people who could see connections between events. Well, meeting this wonderful group of pupils certainly disproved that theory. They were thoughtful, attentive, curious, calm. (There was no texting going on, no yawning, no giggling...they assured me they weren't there just because of the free lunch and Chocolate Fingers). They were delightful.

I read them one of the shortest stories from The White Road and Other Stories, Plaits (click on the link for a video of me reading the story), which is a page and a half in length. It goes down well generally, it's a good example of flash fiction. And I was so impressed when they asked me questions about parts of the story, how did I choose certain things. I explained that when I write, it isn't a conscious experience, I am in some kind of "zone" and I do feel it comes through me instead of from me. They asked if I wrote anything else apart from short stories, so I mentioned that I'd adapted two stories into short plays, and that I had an idea for a film script. They asked what my next project was and I said probably it would be a flash fiction collection. But I stressed that what I realised after the book was published was that for me it is all about the writing. As long as I am writing, I'm happy. And that writing is like a muscle - you have to keep it toned, keep it flexible, by writing as much as possible.

At the end, when they really had to go off to History, I was thrilled when several of them asked if they could buy a copy (of course, I'd brought along a few just in case... not sure whether lunch money would stretch that far!). I signed the books for them and they left. Then Eleanor, one of the two librarians (the pic below is of her and Sarah, the other librarian), took me on a tour of the school just to see if there was anything that rang a bell.

Nothing looked that familiar (I don't remember much of my childhood, that's why I like to say I make stuff up), but I was stunned by what the pupils were doing. I did O'Levels, I was one of the last years to do that exam at age 16, and in the classrooms the cry that was most often heard was "Will this be on the exam? Do we need to know this?". How different things are now! GCSEs, AS Levels... Below are the clothes some of the pupils (14-year-olds) made as part of their courses:

The atmosphere at the school was relaxed, creative, stimulating. The teachers had a lovely rapport with the pupils. In my day, from what I do remember, we were always being told off for something, whether it be our behaviour or or clothes (the uniform rules were pretty rigid). We didn't make anything, we weren't given free rein to express ourselves, there was no Creative Writing Club.

And we certainly didn't have writers and artists visiting to talk about the process of creating (novelist Naomi Alderman and poet Danny Abse are just two of the recent visitors). Had I seen at the age of 14 that "real people" can be writers, artists and poets, how might that have changed my life? I don't regret anything I have done over the past 30 years, certainly not studying science, which I love, although I could never be a scientist. But to be shown so many possibilities, so many different ways of being and doing in this world, must open young minds to all that they could be... and more.

I left feeling that I had learned as much from them as they might perhaps have learned from me, and that rather than it being a traumatic return to school, it had been a joyful sharing of creativity and excitement about short stories and writing.

PS That night, back at Jewish Book Week, I found this in the bookshop, run by Foyles, something I never would have dreamt of in my wildest dreams at the age of 14:

Sunday, February 22, 2009

Jewish Book Week Day One

I didn't sleep so well last night, and it wasn't because I was nervous about the reading today. It was more that I have so much to say about short stories, I was worried about not being able to say it all! The event was the launch of the Sea of Azov (see earlier post for details), the charity short story anthology. There were four of us reading, Karen Maitland, Michelene Wandor, Tamar Yellin and myself, with biographer Anne Sebba as the moderator.

This is me with Michelene beside me and Anne looking on.

Well, what I learned from my first experience on a panel is how fabulous it is to have a moderator who really knows how to moderate! I guess that is something I was nervous about because it was an unknown quantity: how would we read? How would the talking be organised? Well, I shouldn't have worried, because Anne was fantastic. She introduced us, we each read a taster section of our stories, we talked a little about the particular story, and Anne immediately jumped in to say something she had noticed about each of our stories.

Tamar talked about the importance of a writing space, which is central to her short story; Karen talked about ghosts and memory; Michelene talked about how some people perceive her writing as her expressing moral indignation. I talked about how this story was my experiment in "realism", how I had done it once to please my MA tutor, and how I would never do it again!

Anne then asked us various questions about dialogue, about the writing of stories. She asked me to repeat a comment I had made in the Green Room beforehand about how you'll often hear people say about a novel "Oh, you'll love it. The first 40 pages are a bit slow but get through those and it's great!", but with short stories you don't have 40 pages, you have perhaps one paragraph or a page to hook your reader. And how short stories rarely appear in isolation, they are always competing with other stories, something I am trying to stress to my short story workshop participants - you have to grab your reader and not let go!


Then we fielded a few questions from the very attentive audience, about whether short stories were a particularly Jewish thing, or a particularly female thing (we all thought no on both counts), and whether flash fiction was ideally suited to the 16-25 age group with their short attention spans (I disagreed with this one, thanks Alex!) then, in a flash, it was all over! Down to the Jewish Book Week Bookshop run by Foyles, a bit of signing and some more chats with my fellow writers about writing. I think we will all be keeping in touch, it was great to meet them all.

Thank you so much to Clare G, James, Nick, Jaq, Zeddy, Peter, Marilyn, Irving, Jo, Alex and Esti, Sue G and Elizabeth R-J, Pierre, Arnie and Jane, for coming, I really appreciated you being there, it really made it for me! It was amazing to me to remember how I came to JBW last year and listened, and then this year I am up there, on the stage... You just never know.

I will be blogging for Jewish Book Week about several science-related events, will post here too. More tomorrow.

PS I also did an interview for a Guardian podcast, more on Wednesday when it goes online.


Sunday, February 08, 2009

Reading at Jewish Book Week

If any of you are in London in two weeks' time, Feb 22, I will be taking part in an event at Jewish Book Week. In the illustrious company of writers Tamar Yellin, Michelle Wandor and Karen Maitland, I will be reading an extract from my short story, Boiling, at the launch of World Jewish Relief's charity short story anthology, The Sea of Azov.
For more information and how to book tickets, click here. It would be great to meet up with some of you in person!


This from the event description:
Join us to help launch World Jewish Relief's first ever collection of short stories. Jewish and non-Jewish writers from Britain, Israel and North America - including Ali Smith and Nicole Krauss - have come together to support WJR and to tell their tales, trying to make fictional sense of the previous century and the century just beginning to evolve. This book has been given the title of The Sea of Azov, after both the birthplace of Chekhov, that consummate master of the short story, and the site of one of WJR's campaigns to support distressed Jewish communities.