Happy publication day to 'and what if we were all allowed to disappear', my hybrid book of poetry/prose/fiction/non-fiction, with the gold cover! Published today by Guillemot Press, and inspired by particle physics, it asks: ‘What does it mean to be in pieces? What might it mean to be whole?’
And in a lovely coincidence, here I am reading a letter to my younger self, on the same day my 8th book is published! "The biggest thing I've learned: create community. Lift others. You may be lifted as a consequence, but don't make that your plan." You can listen here: https://www.rlf.org.uk/showcase/tania-hershman-lys/
I never dreamed I'd have a book with a gold cover! The amazing Guillemot Press have made my particle-physics-inspired hybrid book, 'and what if we were all allowed to disappear', into this gorgeous sparkly object! It's a limited edition - for more info about the book and to pre-order, click here
I'm very happy to have found a home at the
Blue Fifth Review for an odd little hybrid poem/fiction inspired by
the wonderfully strange 1970s science film "Powers of Ten" ! You can read the piece here and watch the film below!
It's been a very long time since I've been moved to post about an interview with a writer or poet, but this video interview (and reading) by poet Alice Oswald - whose new collection, Falling Awake, just won the Costa Prize for Poetry - is utterly wonderful and inspiring, I think, to those who write prose as well as poetry, especially her thoughts on rhythm and on length. Here are a few quotes I posted on Twitter:
As soon as you say that you do one thing, you end up wanting to do something else
A poem could be a..sonnet until the last minute when I just find it's too polite & suddenly I'll smash it
A short poem has to last as long as a long poem. That's what I love. It has to be infinite in the same way
If you haven't ever seen her read, the first 30 minutes are a joy, less of a reading than, as the interviewer says, some sort of invocation. And then there's a Q&A. I went out after watching this and have been thinking about what she said about her own poems and her writing - and rhythms. She says: "The stronger your rhythms, the more disturbing things you see...You can navigate around your own brain by means of rhythm". This speaks to me because I have tended to write my own poems aloud - they are both a bit song-like, to me, and also a completely physical experience. I always read my short stories aloud too, but getting them on the page happens first. Rhythm is always important to me, and I will be thinking for a while about what Oswald has said about rhythm and my brain - and perhaps rhythm and the reader/listener's brain!
I feel she has also has given me a shot of permission - something I will always need as a writer but especially as a quite new poet - in terms of the legitimacy of the short poem. I love short poems, but wondered (perhaps an echo of the battle I had to fight over flash fiction and its place in the world) that they seem unsubstantial. Yet look at this short poem I just read in the New Yorker, which is sublime, and would you want more? It's about allowing me - and perhaps you? - to say what I need to say in as many words as I feel I need to say it.
I also like what Oswald says about not wanting to be called a "nature poet", which she very very often is.
"I think it's important not to sit too comfortably in a category, and that's why I get annoyed when people call me a nature poet. I mean, it's so tempting to be a nature poet. Then you know what you are writing about, you know what you think, you just do it and roll it out. For me, it's important not to know what kind of a poet I am, and each time I write... could be a science fiction poem. It hasn't yet been, but it could be!"
This gives me another shot of permission on the road I have been travelling for a while now, of not labelling anything I am writing - poem, flash fiction, prose, story, non-fiction... I like her twist about how tempting it would be to feel comfortable under one label! But do we want to be comfortable? I don't think that's where the real work gets done. What do you think?
