After the most wonderful launch on Friday Feb 12th at the Cork International Poetry Festival - together with Victor Tapner, whose chapbook won 1st prize in the Fool For Poetry competition in which I scooped 2nd prize - I'm delighted to announce that my debut poetry chapbook, Nothing Here Is Wild, Everything Is Open, is published!
Yup, seems I can't deny being a poet any longer, though to reassure all you fiction writers, my adoration for prose is undiminished - let's just say, the love affair with words continues. I really never thought things would take this turn, I feel very lucky and immensely grateful!
Here are a few pics from the launch
I had a great time, can you tell? :) (Thanks to Jill Abram for the photo.)
And here's the gorgeous cover, featuring artwork by Eileen White - a piece I bought from her last year and thought would be ideal for my poems, which are often in some way inspired by science (spot Sir Isaac Newton on there):
The book will shortly be available to buy from the publishers, The Munster Literature Centre's Southword Editions - but if you'd like a (signed) copy, wherever you are in the world, you can buy direct from me - all the information is here, including a sample poem!
Showing posts with label chapbook. Show all posts
Showing posts with label chapbook. Show all posts
Tuesday, February 16, 2016
Nothing Here Is Wild, Everything Is Open
Wednesday, February 03, 2016
Poem in the Irish Examiner!
I just discovered today that one of the poems from my chapbook, Nothing Here Is Wild, Everything Is Open - which is being launched next week at the Cork Poetry Festival! - was published in the Irish Examiner as their Tuesday poem! It's print-only, see below, hopefully it's readable! What a lovely surprise...
Monday, July 06, 2015
Poetry!!
So, I got some Very Nice News a few weeks ago that I couldn't share - until today! Here it is - it made me cry when they told me, and seeing it in print has moved me all over again, Congratulations, all!
FOOL for POETRY CHAPBOOKResultsTwo British Poets Take Top Spots in Munster Literature Centre's Fool For Poetry Chapbook Competition.
Victor Tapner has taken top prize with his manuscript Banquet In the Hall of Happiness. Tapner's full collection Flatlands was published by Salt in 2010. Among his previous honours he has won the Cardiff International Poetry Competition, the Wigtown Prize and Flatlands won the East Anglian Book Award for Poetry.
Tania Hershman came second with her manuscript Nothing Here is Wild, Everything is Open. Tania has published books of short fiction previously but this will be her debut poetry volume. Her fiction books are The White Road & Other Stories (Salt, 2008) and My Mother Was An Upright Piano (Tangent, 2012).
The following poets were also selected as finalists from a field of over 200 entries:Liz Bahs, Berkshire, UKThe winning chapbooks will be launched at next February's Cork International Poetry Festival.
Garret Bryant, California,
Catherine Cole, Wollongong, Australia.
Kevin Conroy, Naas, Ireland
Paul McMahon, Sligo, Ireland
Lauren Rusk, California
Ryan Vine, Minnesota
The judging process consisted of Patrick Cotter selecting the finalist manuscripts and past and present Southword Poetry editors, James Harpur, Thomas McCarthy, Leanne O'Sullivan and Matthew Sweeney, ranking (without mutual consultation) each finalist in order of preference. When points were added up Victor Tapner and Tania Hershman came out tops.
Monday, October 01, 2012
Reviews and other news
First, one of the fictions from My Mother Was An Upright Piano, Manoeuvres (which I can never spell!) is included in a new echapbook anthology, "Found" from Wordrunner, alongside authors Susan Meyers, Tania Hershman, Mary McCluskey, Jeff Haas, and Lucille Shulklapper and poets Sara Toruno-Conley, Angela Corbet, Bianca Diaz and Victor Perez.Read it all here.
I am also very lucky that MMWAUP is getting some great reviews:
In her review in the new issue (No. 80) of the Frogmore Papers, Alexandra Loske says: " It seems that Hershman has achieved two things here: She has perfected the art of the very short short story, making it appear utterly appealing and perhaps one of the most appropriate forms of creative writing of our age. She has also managed to form a bridge between poetry and prose. At times it feels as if one is reading a very well constructed, witty, moving long poem, without the boring bits. Excellent."
On the Thresholds Short Story Forum, Vicki Heath writes: "every word is perfectly placed as she explores the offbeat world we live in." Read the full review here.
And my friend Jon Pinnock calls MMWAUP " the work of a grown-up writer who has gained the confidence to let her muse off the leash and to follow it wherever it goes, however unexpected that turns out to be. " Read his review here.
Three of the fictions from My Mother Was An Upright Piano: Fictions are featured on the excellent book review site bookoxygen, which describes the book as "56 short, strange fictions which arrive out of left field, bringing warmth, wit and a deliciously off-beat perspective." Read them here.
Sally Zigmund reviews the book on her blog, The Elephant in the Writing Room, saying: "I am sure that everyone who reads this collection will see different colours, shapes and meanings from the ones I have discovered. But isn't that the point? These stories are what the reader brings to them. Reading Tania's fiction is like a being overwhelmed by wave on a deserted January beach that takes you to places you never imagined. Stunning." Read her full review here.
Over on Goodreads, Berit Ellingsen says: "there is no doubt that Hershman is an expert of the very short story. The themes in the collection are nicely cohesive and the voice and narrative structure well varied. I’ve had the pleasure of reading many of these stories in their individual publication, but reading them all together for a full impression of the author’s warm voice and deft descriptions, was even better." Read the full review. And Roxane Gay says "The stories that were great ... were truly great. I particularly liked how she was able to warp reality and time in different ways. Hershman is not lacking in imagination and this is definitely a book worth reading." Read the full review. And Annemarie Neary says: "This is a beautifully produced book with an open, elegant feel. The fictions themselves are extraordinary - compact, resonant and highly original." Read the full review.
Thank you to all of the above for taking the time not just to read my book but to express your thoughts and opinions. It is much appreciated.
I am also very lucky that MMWAUP is getting some great reviews:
In her review in the new issue (No. 80) of the Frogmore Papers, Alexandra Loske says: " It seems that Hershman has achieved two things here: She has perfected the art of the very short short story, making it appear utterly appealing and perhaps one of the most appropriate forms of creative writing of our age. She has also managed to form a bridge between poetry and prose. At times it feels as if one is reading a very well constructed, witty, moving long poem, without the boring bits. Excellent."
On the Thresholds Short Story Forum, Vicki Heath writes: "every word is perfectly placed as she explores the offbeat world we live in." Read the full review here.
And my friend Jon Pinnock calls MMWAUP " the work of a grown-up writer who has gained the confidence to let her muse off the leash and to follow it wherever it goes, however unexpected that turns out to be. " Read his review here.
Three of the fictions from My Mother Was An Upright Piano: Fictions are featured on the excellent book review site bookoxygen, which describes the book as "56 short, strange fictions which arrive out of left field, bringing warmth, wit and a deliciously off-beat perspective." Read them here.
Sally Zigmund reviews the book on her blog, The Elephant in the Writing Room, saying: "I am sure that everyone who reads this collection will see different colours, shapes and meanings from the ones I have discovered. But isn't that the point? These stories are what the reader brings to them. Reading Tania's fiction is like a being overwhelmed by wave on a deserted January beach that takes you to places you never imagined. Stunning." Read her full review here.
Over on Goodreads, Berit Ellingsen says: "there is no doubt that Hershman is an expert of the very short story. The themes in the collection are nicely cohesive and the voice and narrative structure well varied. I’ve had the pleasure of reading many of these stories in their individual publication, but reading them all together for a full impression of the author’s warm voice and deft descriptions, was even better." Read the full review. And Roxane Gay says "The stories that were great ... were truly great. I particularly liked how she was able to warp reality and time in different ways. Hershman is not lacking in imagination and this is definitely a book worth reading." Read the full review. And Annemarie Neary says: "This is a beautifully produced book with an open, elegant feel. The fictions themselves are extraordinary - compact, resonant and highly original." Read the full review.
Thank you to all of the above for taking the time not just to read my book but to express your thoughts and opinions. It is much appreciated.
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