I had a wonderful week last week, with 2 visits to Manchester - first to read at the amazing Poets and Players science-themed event, with Jemma Borg and David Morley! Video will be available soon.
After the event, Rob Cutforth whisked me and Jo Bell off to a cafe to interview us for his End of All Things podcast. This is the result (the interview begins about 8 minutes in) and involves much giggling, some talk of Ovid, and, perhaps, bits of usefulness about writing, I will leave that to you to judge!
Then, after a trip to London to talk to a very enthusiastic and delightful group of students and staff at South Bank University, back to Manchester to "headline" (what a nice word) at Bad Language, the live lit event I have been eyeing jealously on Twitter each month, wishing I was nearer.
What a fantastic event Fat Roland and Joe Daly create - do get yourself there! There's an open mic, a mix of poetry and short stories, and one headline act in the middle. I had a brilliant time, here's a picture courtesy of David Gaffney:
So, a very active week for me, from which I am now recovering, as we introverts need to. But so lovely that copies of my poetry chapbook are now out in the world, many ordered through my website and posted by me and others bought at the above events. I've had some wonderful responses already, each one unexpected, some by people I don't know and am probably not related to. Joyous, it is!
Saturday, February 27, 2016
Tuesday, February 16, 2016
Nothing Here Is Wild, Everything Is Open
After the most wonderful launch on Friday Feb 12th at the Cork International Poetry Festival - together with Victor Tapner, whose chapbook won 1st prize in the Fool For Poetry competition in which I scooped 2nd prize - I'm delighted to announce that my debut poetry chapbook, Nothing Here Is Wild, Everything Is Open, is published!
Yup, seems I can't deny being a poet any longer, though to reassure all you fiction writers, my adoration for prose is undiminished - let's just say, the love affair with words continues. I really never thought things would take this turn, I feel very lucky and immensely grateful!
Here are a few pics from the launch
I had a great time, can you tell? :) (Thanks to Jill Abram for the photo.)
And here's the gorgeous cover, featuring artwork by Eileen White - a piece I bought from her last year and thought would be ideal for my poems, which are often in some way inspired by science (spot Sir Isaac Newton on there):
The book will shortly be available to buy from the publishers, The Munster Literature Centre's Southword Editions - but if you'd like a (signed) copy, wherever you are in the world, you can buy direct from me - all the information is here, including a sample poem!
Yup, seems I can't deny being a poet any longer, though to reassure all you fiction writers, my adoration for prose is undiminished - let's just say, the love affair with words continues. I really never thought things would take this turn, I feel very lucky and immensely grateful!
Here are a few pics from the launch
I had a great time, can you tell? :) (Thanks to Jill Abram for the photo.)
And here's the gorgeous cover, featuring artwork by Eileen White - a piece I bought from her last year and thought would be ideal for my poems, which are often in some way inspired by science (spot Sir Isaac Newton on there):
The book will shortly be available to buy from the publishers, The Munster Literature Centre's Southword Editions - but if you'd like a (signed) copy, wherever you are in the world, you can buy direct from me - all the information is here, including a sample poem!
Wednesday, February 03, 2016
Poem in the Irish Examiner!
I just discovered today that one of the poems from my chapbook, Nothing Here Is Wild, Everything Is Open - which is being launched next week at the Cork Poetry Festival! - was published in the Irish Examiner as their Tuesday poem! It's print-only, see below, hopefully it's readable! What a lovely surprise...
Thursday, January 21, 2016
Short story talk...
I've been asked to waffle on about short stories quite a lot recently, I thought I'd share it all with you - first, here are a blue-tinged me and Kirsty Logan at Fictions Of Every Kind in Leeds in November, talking about short stories and writing:
Next, I was honored to be interviewed over at The Short Story, here's a snippet:
And this week the wonderful folk at the Bristol Short Story Prize, for whom I am a judge this year, asked me a few more questions:
Next, I was honored to be interviewed over at The Short Story, here's a snippet:
How has the editing process informed your own work?
What an interesting question! First, I have to say that it’s far easier to spot things in someone else’s work than it is in your own. What I do when I offer suggestions on someone else’s story is to remember to come at it from within what the writer wants to do, not how I would write that story.
And this week the wonderful folk at the Bristol Short Story Prize, for whom I am a judge this year, asked me a few more questions:
What influence do you think doing a PhD has had on your writing?You may discover that I disagree with myself in these interviews - any thoughts on your own writing processes, what competitions mean to you? Please do share in the comments!
As a short story writer – and now also a poet – while I loved what I was doing, no-one was really waiting for me to do anything, by which I mean, I imposed my own deadlines, motivated myself. I didn’t have an agent chivvying me, for example. So the main reason for me to undertake a PhD in Creative Writing was to have a framework, to get gently yet firmly chivvied!
Wednesday, December 09, 2015
Arvon flash course + new poems
I'm beyond thrilled to be one of the tutors for Arvon's very first course in flash fiction in August 2016! For those of you who don't know Arvon, they are an amazing organisation running 5-day residential creative writing courses at their centres in Shropshire, Devon and Yorkshire, and going on 3 of their courses over the first 10 years of my writing life changed everything for me, each time anew. I can't recommend them highly enough. Now, they are rather pricier than they used to be - £750 for a single room, £700 for shared room - but they do offer grants for those who can't afford this, saying:
That's all to look forward to, but in the meantime, I'm delighted to have two new prose poems in the latest issue, Issue 3, of The Lonely Crowd, a gorgeous print magazine which is stuffed full of so much good writing, it's hard to know where to start. I've already read two stunning stories by Jenn Ashworth and Jane Roberts, am pacing myself before devouring the rest. You can read an introduction to the issue by editor John Lavin, in which he rather delightfully describes my contribution as "two playfully allusive prose poems that serve to add a dancing-light-like quality" - and can listen to me reading them here!

I also have a new poem in the Winter 2015 issue of one of my favourite lit mags, Stinging Fly, accompanied by what guest editor Billy Ramsell calls a "souterrain", a strange and creative prose piece he asked several of us to write, describing the origins of our poems.
Finally, should you be stuck for festive gifts, Bloomsbury are offering a 40-45% discount on books, including Writing Short Stories: A Writers and Artists Companion - head this way!
And there's our lovely general-relativity-inspired short story anthology too, of course >>
I am looking forward to 2016 - which will involve events in Hampshire, Cheltenham, Birmingham, London - as well as the launch of my poetry chapbook in Cork! I am open to other invitations, please do drop me an email.
I will also (I will, I will) be finishing my book for my PhD. Oh yes. And kicking off a few new projects which will require your involvement, funding permitting - so watch this space!
"Last year we were able to help more than 90% of all writers who applied. Priority is given to first time Arvon writers. Writers can apply for any amount up to the full course fee, although most receive between £200 and £400."The range of courses gets wider every year - not just short stories, poetry, novels, but graphic novels, songwriting, memoir etc... Check out what's on offer. If you fancy having fun with me and Dave Swann, my mutli-talented co-tutor (and our special guest, Carrie Etter) then we would love to have you!
That's all to look forward to, but in the meantime, I'm delighted to have two new prose poems in the latest issue, Issue 3, of The Lonely Crowd, a gorgeous print magazine which is stuffed full of so much good writing, it's hard to know where to start. I've already read two stunning stories by Jenn Ashworth and Jane Roberts, am pacing myself before devouring the rest. You can read an introduction to the issue by editor John Lavin, in which he rather delightfully describes my contribution as "two playfully allusive prose poems that serve to add a dancing-light-like quality" - and can listen to me reading them here!

I also have a new poem in the Winter 2015 issue of one of my favourite lit mags, Stinging Fly, accompanied by what guest editor Billy Ramsell calls a "souterrain", a strange and creative prose piece he asked several of us to write, describing the origins of our poems.
Finally, should you be stuck for festive gifts, Bloomsbury are offering a 40-45% discount on books, including Writing Short Stories: A Writers and Artists Companion - head this way!
And there's our lovely general-relativity-inspired short story anthology too, of course >>
I am looking forward to 2016 - which will involve events in Hampshire, Cheltenham, Birmingham, London - as well as the launch of my poetry chapbook in Cork! I am open to other invitations, please do drop me an email.
I will also (I will, I will) be finishing my book for my PhD. Oh yes. And kicking off a few new projects which will require your involvement, funding permitting - so watch this space!
Tuesday, December 01, 2015
Over Land, Over Sea: Poems for Those Seeking Refuge
This gorgeous poetry anthology, Over Land, Over Sea: poems for those seeking refuge, edited by Emma Lee, Kathleen Bell, Siobhan Logan, has just been published, by Five Leaves Publications,and at just £9.99 - with all proceeds from sales of the book shared between the
charities Médecins Sans Frontières, Leicester City of Sanctuary and
Nottingham Refugee Forum - it makes a wonderful gift that can help in more ways than just the enjoyment of the writing, sending aid to those who have no homes and are looking for a better life than the one they left behind.
Here's a little more about the book:
Here's a little more about the book:
An anthology of 101 poems expressing solidarity with the refugees who are currently receiving so little welcome as they take to boats and rafts to cross the Mediterranean and make their way with difficulty through Europe. Readers are invited to take a view of the situation which is not governed by the fear and hatred whipped up by the language of media and many politicians.You can get hold of a copy direct from Inpress Books here.
The book has been produced in the East Midlands by an editorial committee, typesetter and publisher working free of charge, with the initial print costs were covered by a crowdfunding campaign
Contributors include: Alan Baker, Kathleen Bell, A.C. Clarke, Kerry Featherstone, Chrissie Gittins, Mark Goodwin, Tania Hershman, Siobhan Logan, Emma Lee, Carol Leeming, Joanne Limburg, Aoife Mannix, Roy Marshall, Hubert Moore, Thomas Orszag-Lund, Simon Perril, Sheenagh Pugh, Mahendra Solanki, Maria Taylor, Rory Waterman, Gregory Woods.
Thursday, November 19, 2015
My performance at Sanctum Bristol!
So there's been this rather amazing happening in Bristol over the past few weeks - Sanctum, an initiative of American artist and initiator of public art projects, Theaster Gates. For 24 days, there was continuous, 24-hour sound of one sort or another in a brand-new structure which was built for this purpose inside the ruins of Temple Church in the centre of the city. And the sound? That was provided by hundreds of Bristol-based performers (and they let in a few non-Bristolians!) playing music, talking, reading, or creating in other ways! I was delighted to have been offered 3 slots - one at midnight, one at 2.40am (!) and one today at noon - to read some of my short stories and poems.
The whole experience was magical! Each performance had a different feel - Sanctum didn't release a programme, so people turned up not knowing who or what they would hear. I wandered by several times just to see what was playing...
At my midnight reading on Oct 31st there were rather a lot of zombies, it being Halloween... And at 2.40am, where I had expected it would just be me and the sound guys, there were 4 audience members and 3 staff! Today, I followed the amazing Tribe of Peace, a drumming and musical ensemble that had everyone dancing. I changed the atmosphere a little by reading mostly science-inspired short short stories and poetry for 20 minutes... if you'd like to listen, here it is!
The whole experience was magical! Each performance had a different feel - Sanctum didn't release a programme, so people turned up not knowing who or what they would hear. I wandered by several times just to see what was playing...
At my midnight reading on Oct 31st there were rather a lot of zombies, it being Halloween... And at 2.40am, where I had expected it would just be me and the sound guys, there were 4 audience members and 3 staff! Today, I followed the amazing Tribe of Peace, a drumming and musical ensemble that had everyone dancing. I changed the atmosphere a little by reading mostly science-inspired short short stories and poetry for 20 minutes... if you'd like to listen, here it is!
Monday, October 19, 2015
Einstein Anthology Launch - Edinburgh, Nov 9
It's here! I am so proud to unveil the anthology of new writing inspired by Einstein's General Theory of Relativity, 'I Am Because You Are', published by Freight Books and co-edited by me and the wonderful Pippa Goldschmidt, astronomer, fiction writer and poet. As we say in our introduction, no previous knowledge - or even interest in - physics is necessary, our aim was to entertain, with great stories from some amazing writers - including Simon Barraclough, Joanna Walsh, Nick Parker, Vanessa Gebbie & Helen Sedgwick - and essays on aspects of the science from three fantastic scientists, plus two poems, just because we liked 'em.
We are officially launching the anthology on Monday 9 November at The Wash Bar in Edinburgh (see launch event page here) and would love you to come if you're nearby...If not, the book's available in paperback (free shipping) and ebook formats, and we are planning more events around the country. We're open to suggestion - science festivals, literature festivals, anything at all, do get in touch and we will round up a few of our authors!
We are officially launching the anthology on Monday 9 November at The Wash Bar in Edinburgh (see launch event page here) and would love you to come if you're nearby...If not, the book's available in paperback (free shipping) and ebook formats, and we are planning more events around the country. We're open to suggestion - science festivals, literature festivals, anything at all, do get in touch and we will round up a few of our authors!
Thursday, October 15, 2015
Live Canon Shortlist
After a night consisting greatly of coughing, I was delighted to wake up this morning to an email telling me I'd been shortlisted for the fabulous Live Canon poetry competition - the joy of this competition is that ALL
the shortlisted poems will be performed by the ensemble at the prize-giving event, as well as being published in the 2015 anthology! Full shortlist below, congratulations all - and if you'd like to join us at the poetry party, it's on
Sunday 22nd November at 3pm at Greenwich Theatre. Tickets are free.
Shortlist:
Abigail Parry, Magpie as Gambler
Alan Buckley, Dovey Junction
AM Henry, Weather Systems, Key Stage 4
Charles Evans, The Sistine Lavabo
Christopher North, They Think It’s Over
David Atwooll, Notes for a Soundtrack
Geraldine Clarkson, After If—
Hilary Watson, Scrap Metal
Isabel Rogers, Boys in the Storm
Jacqueline Saphra, Your Warranty is Void
Joan Michelson, Unframed
Lesley Saunders, Asylum
Mab Jones, Poem in Which Canned Laughter is Returned
Mark Cooper, Labyrinth
Matt Bryden, The Respite
Mel Pyror, Walking the River Tay
Natalya Anderson, Milk and Cookies
NJ Hynes, What is a ‘V’ but an unfinished triangle
Oona Chantrell, On the Monkey Bars
Pat Borthwick, Charcoal Burner
Paul Carney, In a Dawlish Telephone Box
Sophie Reynolds, Fulham Road, 14th December
Stav Poleg, Flamingo Mise-en-Scene
Tania Hershman, Dreams of a Tea Seller
Tim O’Leary, Funeral in a Dark Wood
Shortlist:
Abigail Parry, Magpie as Gambler
Alan Buckley, Dovey Junction
AM Henry, Weather Systems, Key Stage 4
Charles Evans, The Sistine Lavabo
Christopher North, They Think It’s Over
David Atwooll, Notes for a Soundtrack
Geraldine Clarkson, After If—
Hilary Watson, Scrap Metal
Isabel Rogers, Boys in the Storm
Jacqueline Saphra, Your Warranty is Void
Joan Michelson, Unframed
Lesley Saunders, Asylum
Mab Jones, Poem in Which Canned Laughter is Returned
Mark Cooper, Labyrinth
Matt Bryden, The Respite
Mel Pyror, Walking the River Tay
Natalya Anderson, Milk and Cookies
NJ Hynes, What is a ‘V’ but an unfinished triangle
Oona Chantrell, On the Monkey Bars
Pat Borthwick, Charcoal Burner
Paul Carney, In a Dawlish Telephone Box
Sophie Reynolds, Fulham Road, 14th December
Stav Poleg, Flamingo Mise-en-Scene
Tania Hershman, Dreams of a Tea Seller
Tim O’Leary, Funeral in a Dark Wood
Tuesday, September 22, 2015
The Science Issue of Flash Frontier!
So, the Science issue of the excellent New Zealand-based flash journal Flash Frontier is here, guest edited by me and the fabulous Kathy Fish. We really hope you enjoy the flash stories we chose (we read them blind, without knowing who the authors were) - and the artwork, which is stunning! Read it all here >>>
Friday, September 18, 2015
Short Stories Wanted for Refugees Welcome Anthology
Greg McQueen, the wonderful person behind the 100 Stories for Haiti fundraising anthology in 2010, has decided once again that he can't stand by and watch the refugee crisis unfold without acting. He's calling once more for stories for a new anthology to raise money for the Red Cross. Here, let him explain:
Please support Greg - either by sending stories or by getting hold of a copy of the anthology!
Please support Greg - either by sending stories or by getting hold of a copy of the anthology!
Friday, September 11, 2015
Novel Nights' Short Story Special, Sep 17, Bristol
After having had to postpone my participation in the last one of these due to my cough, I'm really delighted they've allowed me back again! Details below:
|
|||||||
|
|||||||
|
Thursday, September 03, 2015
Helping refugees
Yes, this blog is normally about writing, and a lot of me me me, but this is something that's more important - if you'd like to know how you can help the refugees, here's a great article in The Independent: 5 Practical Ways You Can Help Refugees Trying to Find Safety in Europe.
Labels:
aid,
crisis,
help,
refugees,
the independent
Wednesday, August 12, 2015
Flash Frontier - send us your science-themed flash stories by Aug 31st!
Saturday, August 01, 2015
Something I Never Thought I'd Say: Meet My Agent
I gave up on literary agents a few years ago. I did have an agent interested, a lovely person, when I was doing an MA in Creative Writing in 2004 and my first story was published- actually broadcast, on Radio 4. She was so nice, she and her assistant even came to my MA graduation ceremony, I was very surprised, I thought this meant I'd made it. This was it! But I lived abroad and although whenever I came back to London we met for a chat, she never seemed to want to talk about my writing.
I was very naive, it took me a while to realise this was odd. For an agent. When I asked her if she'd talked to any publishers, she said she had but they all said, Come back when she's got a novel. Right. OK. No novel planned so me and Lovely Agent went our separate ways. I sent three stories to Salt Publishing, who were then accepting submissions direct from authors, and in 2007 got the incredible news that they wanted to published my first collection, The White Road and Other Stories. Life-changing.
I was very naive, it took me a while to realise this was odd. For an agent. When I asked her if she'd talked to any publishers, she said she had but they all said, Come back when she's got a novel. Right. OK. No novel planned so me and Lovely Agent went our separate ways. I sent three stories to Salt Publishing, who were then accepting submissions direct from authors, and in 2007 got the incredible news that they wanted to published my first collection, The White Road and Other Stories. Life-changing.
Well, then I thought, when TWR was, shockingly, commended by the judges of the Orange Award for New Writers (as it was then, sadly no more) in 2009 that this would mean agents would be if not clamouring (I am a short story writer, I am not entirely deluded) but at least open to suggestion. So I met with a few, and that was fairly terrifying, especially for this introverted writer who is better in writing, not so good at blind dates, especially the literary kind. Well, they mumbled similar things about novels - but added, Could you maybe write longer stories, at least? (Half the stories in the collection were flash fictions, a page or less).
Well, no, not really. I didn't want to be told what to write.
The thing is, when I didn't think about this side of things, the 'business' aspect, I was really happy with what I was doing. I was writing mostly flash fictions, I'd found homes for many of the stories in lit mags that liked the weird and the surreal - which I had thought no-one outside my head would get let alone want to publish. But there was a part of me that was still sad - I'll admit it, it was hard to see friends getting agents themselves - that at least partly, it seemed, because of the length of what I wrote, the mainstream just wasn't interested. I knew my writing was odd, wasn't the kind of thing that had mass appeal, but I still thought maybe there was a place for me.
A friend came up with a great analogy: department stores want items, she said, that they can mass produce, sell huge quantities. Every now and then they'll take a specialised, hand-crafted, one-off, a limited edition. But that's not what they want, not what they sell. You and I, she said, write hand-crafted, artisan belts. Yup.
Still, I tried a few more times, writing to agents who represented friends of mine. But - and of this I am truly ashamed! - I started my letters with "You probably don't want to hear this but I write short stories." OH DEAR! They didn't reply. Who would, given an opening like that! If you're not your own champion, why should someone else be?
So, after that, I stopped. My second collection, My Mother Was An Upright Piano, made up entirely of very short fictions, was published in 2012 by the wonderful Tangent Books, based in Bristol, where I had moved to by then. And having not just one book - my lifelong dream - but TWO seemed miraculous, more than I'd wished for. I was happy. I was writing. What else mattered?
When 18 months ago I was researching for the section on the history of the short story for the book I co-authored, with Courttia Newland, on writing short stories, I started to read a lot about the short story being a "marginalised form", and, as such, a place where writers could experiment, could express themselves more freely because they were not being watched. And it hit me: because I'm not working on a novel, the dominant form in this country, at least, and because no-one's been waiting for me to produce anything - I have been free, I really can write whatever I like! And I am. I've reached a point, after writing fiction for 18 years, where I feel pretty much uninhibited - free to write about whatever I want, in whatever style I want. This is a great feeling!
When I began writing poetry, a few years ago, it did feel like "starting again", slipping down the snake and trying to pull myself back up the ladder. There were technical things to learn, and at first I was very conservative, nervous that the outside world wouldn't consider what I was doing to be "poetry". This is what it's like, I remember - you've got to learn certain rules and then, only then, can you break them, imaginatively, wildly. I was worried, for a bit, that while I felt totally unconstrained in fiction, my "voice" in poetry was different, traditional, didn't quite feel like me. But over the past 6 months something clicked, and I've felt able to let go in poems too, to start to taste that freedom here, boosted immensely by having poems accepted for publication and recognised in competitions, which is what has always helped me with short stories too - I write to connect, with even just one stranger, and when that happens, especially with the oddest of my pieces, it gives me permission, to carry on and to take it even further. Permission has become something I talk about a lot.
So, now, with two collections published, a book on writing co-authored, and a poetry pamphlet due out in February, all thoughts of agents had vanished. I just felt - and feel - very grateful. And that's when Kate turned up. Literally. She is from the US, she is an agent with Wolf Literary Services in Brooklyn, and she recently moved here, to Bristol, because of her husband's job. Right here. She got in touch, to chat - I thought - about Bristol, about books etc... and we met for a coffee. Honestly, I had no thought about talking to her about my work. I was planning on recommending other writers she might like to check out. But as we talked we discovered we loved the same writers (Aimee Bender, Maggie Nelson) and disliked the same books (not going to tell you those). She also told me she'd happened to read a few years ago one of my short stories, The Special Advisor, that was published in Five Dials, and the way she talked about it was the way every writer dreams that someone will talk about their work. I then told her about the book I was working on for my PhD, a hybrid book that I am aiming to be Uncommercial and Pretty Damn Weird.
When I got home, I had a think and realised that here was an opportunity it would be silly for me to let pass by. So I got together all the newer short stories, plus some poems, whacked them into some kind of order, and sent them to her. I really wanted to say, Don't worry if you don't like them, let's just be friends! But I stayed professional. I said there was no rush, and really I didn't imagine anything would happen. I thought I was not a very attractive prospect: not a debut author, not under 35, short story writer, weird stuff.
But then, two weeks ago (on my birthday!) I got an email from Kate which said, "I LOVE YOUR WRITING" (in CAPS, yup). It said some more lovely stuff, the main part of which was "I would love to represent you, for this book, your PhD book and beyond". And all the nonsense that had been in my head about not needing this, not wanting this, melted in an instant. I have been so fortunate that people have said wonderful things about my writing over the years, utterly delightful and unexpected things, things they didn't need to get in touch and say. Somehow this was different, this was someone - who had met me in person, too - saying, I will be your champion. I believe in you, not just for what you've done, but for what you will do too. I want to see that happen, I want to help you continue to flourish.
Kate and I met a few days ago to talk more, to try not to gush as much as both of us wanted to, we later confessed - and now agreements have been signed. So, meet my agent: Kate Johnson, of Wolf Literary Services. Had I been trying to write the sorts of things I thought an agent or editor would want, she and I may never have met. Had I kept on thinking after I'd met her that I wasn't the sort of writer who needed/deserved an agent, and not taken that risk, not sent her anything, nothing would have happened.
We are now trying to mould those short stories and prose poems into something collection-shaped, and see what occurs. Nothing is certain, of course. But having Kate on my side has already had an effect on me: the day after receiving her email, I sat down and wrote for 3 hours, I re-started my PhD book, and this time I truly let myself go. I let myself play, be as weird and odd as I love to be, and enjoyed myself immensely. It was only then that I realised how I'd been holding back, not wanting to really experiment. Kate gave me permission to do that. Sometimes, it seems, we don't realise we need that permission until it's been given, until we're released, liberated. Thank you, Kate, you've already changed everything. I look forward to seeing what happens next!
Kate and I met a few days ago to talk more, to try not to gush as much as both of us wanted to, we later confessed - and now agreements have been signed. So, meet my agent: Kate Johnson, of Wolf Literary Services. Had I been trying to write the sorts of things I thought an agent or editor would want, she and I may never have met. Had I kept on thinking after I'd met her that I wasn't the sort of writer who needed/deserved an agent, and not taken that risk, not sent her anything, nothing would have happened.
We are now trying to mould those short stories and prose poems into something collection-shaped, and see what occurs. Nothing is certain, of course. But having Kate on my side has already had an effect on me: the day after receiving her email, I sat down and wrote for 3 hours, I re-started my PhD book, and this time I truly let myself go. I let myself play, be as weird and odd as I love to be, and enjoyed myself immensely. It was only then that I realised how I'd been holding back, not wanting to really experiment. Kate gave me permission to do that. Sometimes, it seems, we don't realise we need that permission until it's been given, until we're released, liberated. Thank you, Kate, you've already changed everything. I look forward to seeing what happens next!
Monday, July 06, 2015
Poetry!!
So, I got some Very Nice News a few weeks ago that I couldn't share - until today! Here it is - it made me cry when they told me, and seeing it in print has moved me all over again, Congratulations, all!
FOOL for POETRY CHAPBOOKResultsTwo British Poets Take Top Spots in Munster Literature Centre's Fool For Poetry Chapbook Competition.
Victor Tapner has taken top prize with his manuscript Banquet In the Hall of Happiness. Tapner's full collection Flatlands was published by Salt in 2010. Among his previous honours he has won the Cardiff International Poetry Competition, the Wigtown Prize and Flatlands won the East Anglian Book Award for Poetry.
Tania Hershman came second with her manuscript Nothing Here is Wild, Everything is Open. Tania has published books of short fiction previously but this will be her debut poetry volume. Her fiction books are The White Road & Other Stories (Salt, 2008) and My Mother Was An Upright Piano (Tangent, 2012).
The following poets were also selected as finalists from a field of over 200 entries:Liz Bahs, Berkshire, UKThe winning chapbooks will be launched at next February's Cork International Poetry Festival.
Garret Bryant, California,
Catherine Cole, Wollongong, Australia.
Kevin Conroy, Naas, Ireland
Paul McMahon, Sligo, Ireland
Lauren Rusk, California
Ryan Vine, Minnesota
The judging process consisted of Patrick Cotter selecting the finalist manuscripts and past and present Southword Poetry editors, James Harpur, Thomas McCarthy, Leanne O'Sullivan and Matthew Sweeney, ranking (without mutual consultation) each finalist in order of preference. When points were added up Victor Tapner and Tania Hershman came out tops.
Friday, June 19, 2015
Flash Frontier - send us your science-themed flash stories!
I'm back from an amazing trip, will blog about it here soon - but in the meantime, I am a guest editor, along with the absolutely wonderful Kathy Fish (whose flash collection, Together We Can Bury It, sits by my bed so I can dip into it in times of need) for the September issue of New Zealand flash fiction online journal Flash Frontier, which we decided would have a science theme. So please wow us with your flash stories, up to 250 words, in some way using or inspired by science. We are open to all sorts and flavours of story, in any shape or form, so let your imaginations lead the way! Deadline is Aug 31st.
Sunday, June 14, 2015
Mi Madre Era Un Piano Vertical
Am still on my travels - and oh my, what wonderful travels they have been, Mexico was the most welcoming and magical! - but just had to share this with you: I woke up to see that my short short story is in today's El Universal, one of Mexican's daily newspapers, translated into Spanish! You can see it (or, if unlike me, you speak Spanish, you can read it) here... The title is Mi Madre Era Un Piano Vertical - guess which story!
I feel so honoured, we got so much press coverage, the short story writer as (temporary) celebrity! I know it'll never happen again so I just enjoyed it. Will blog more when I get home!
ADDENDUM: I missed that they have also published a translation of another of my stories, The Painter and The Physicist.
I feel so honoured, we got so much press coverage, the short story writer as (temporary) celebrity! I know it'll never happen again so I just enjoyed it. Will blog more when I get home!
ADDENDUM: I missed that they have also published a translation of another of my stories, The Painter and The Physicist.
Saturday, June 06, 2015
Mexico!!
I'm delighted to be heading off to Mexico this week as one of two short story writers - together with Paul McVeigh - given the honour of being the first of a veritable slew of writers the British Council's sending to Mexico this year! We are each doing two events - one in Mexico City, and then I head to Monterrey and Paul to Tijuana. If you happen to be nearby, details are here! And on this lovely poster above, I believe (sadly, I speak no Spanish)!
I'm really looking forward to visiting a country I've wanted to visit for many many years, and learning more about Mexican literature, the short story in particular. I feel ashamed at how little I do know, partly because of how little we get in translation over here. I am immensely excited at meeting the writers I'm doing events with - Monica Lavin, Emiliano Monge and Atonio Ramos Ravillas.
I'm also delighted that this fabulous new anthology that I am honoured to also be in, Flash Fiction International, contains a disproportionately large number of Mexican writers. From this I suspect that I will find many flash fiction and short story sympathizers! I will report back. Promise.
I'm really looking forward to visiting a country I've wanted to visit for many many years, and learning more about Mexican literature, the short story in particular. I feel ashamed at how little I do know, partly because of how little we get in translation over here. I am immensely excited at meeting the writers I'm doing events with - Monica Lavin, Emiliano Monge and Atonio Ramos Ravillas.I'm also delighted that this fabulous new anthology that I am honoured to also be in, Flash Fiction International, contains a disproportionately large number of Mexican writers. From this I suspect that I will find many flash fiction and short story sympathizers! I will report back. Promise.
Tuesday, June 02, 2015
Some Thoughts on Kindness, Energy Levels and Introversion
I haven't written a blog post like this for a while, an attempt to tie all my current thoughts together into some sort of whole (for which I will not claim coherence). I suspect that I might find out what it is I want to say through the writing of it, which is, often, how this writing thing works. So. Kindness. This is a concept, an action, that has become almost the most important thing for me, the thing I try and practice above all else. Kindness towards others, whether I know them or not, and - hardest of all - towards myself. When I say "kindness" it has deeper ramifications than just smiling, saying something nice, it is, for me, about dealing with other people ethically, mindfully. Hard to actually say more precisely what I mean by that, maybe because it's always evolving, which I think is how I want it to be.
But basically we know what kindness, thoughtfulness, mindfulness and compassion mean, in large terms. And when I say "practice", that is accurate because in my experience it takes practice, it takes vigilance, it is not my default, it takes work. We do seem to be programmed to be defensive, to look for a tribe to join and to privilege, rather than seeing everyone around us - and further afield - as human beings in the same boat, with the same struggles. And, trying to be kind here to myself, I'm not going to come up with a list of excuses for why this is. It's easy to let go, lose sight.
The thing is, actively trying to change one's behaviour, to rewire the neural pathways so it might become more of a default action, takes energy. It is easy to keep driving in a straight line, on a well-paved road. Changing gear, turning the wheel, requires fuel. When I'm tired, stressed, not feeling well, it's far far harder to stick to my intentions. This is where the "Energy levels and Introversion" referred to in the title come in.
I discovered 2 years ago after reading Susan Cain's momentous book, 'Quiet: The Power of Introverts in a World That Can't Stop Talking' that I am introverted. I had thought, for years and years, I was some kind of weirdo, a hermit, anti-social, because of my need to be alone for substantial amounts of time. I was made to feel this way when I first decided, at the age of around 27, that I couldn't live with flatmates, needed to live alone. The flatmate I was living with at the time couldn't understand this at all, I think she actually preferred to never be alone (which I can now understand a little better - and shows the need for more talk about introversion and extroversion!) and she took it so personally she never spoke to me again.
What I didn't understand then was that being alone is not just a lifestyle choice if you're an introvert, it's a physiological necessity. I thought I would pass this on in case you think you're an antisocial weird hermit too. Well, you might not be.
If you Google "introvert" this is the first definition that comes up: "a shy, reticent person." Well, if you met me - those of you who have - you wouldn't use those words. I can perform on stage, I can talk in front of large groups of people, I can teach workshops, go to parties (well, hmm) - I can, in other words, appear to be what we call "extrovert" - but the difference is that all these things, all these interactions, drain my energy. Whereas a more extroverted person gains energy from these same interactions. And it's a scale - if you're half way along it, you're an ambivert!
And this isn't the same type of energy that can be replenished by getting a good night's sleep. I have some theories about the type of energy it is, I think it's to do with adrenaline, but I can't find any studies about this. I re-read Susan Cain's book the other day, and what stuck in my mind this time were the scientific studies about highly reactive babies versus non-reactive babies. The researcher had a theory that babies who reacted to every noise, every light, stimulus, would grow up to be introverts. And this turns out to be pretty much the case. I definitely feel that when I'm out and about, I don't do a great job of filtering - that sometimes I feel the world is shouting at me. I have trouble following conversations if there are more than 3 of us, I get easily distracted.
Reacting to many many stimuli takes energy. And perhaps we then need to be alone to replenish, but not just alone, "turned inward", which is what "introvert" actually means, so that we are not reacting at all, or doing the opposite of reacting, which is using whatever means we need to unreact.
This seems, for me and for others I've talked to, to involve a great deal of thinking. I think all the time. I think my way into trouble quite often, reading far too much into something, worrying about my own behaviour etc..., but then what's rather nice is I think my way through and out of it too.
Apart from the being alone and the thinking, I like to sit in corners when I am in cafes or events, to be able to observe without necessarily being seen. I'm awful at small talk (what a relief to know that there might be an "explanation" for that!). But when I have a deep conversation with someone, one-on-one, I can feel my energy reservoirs filling up!
Now, before I discovered this, 2 years ago, I think I was always depleted to some extent or other. I would get ill quite often. 15 years ago I was diagnosed with a thyroid condition, but I never believe this was the problem and stopped taking the medication. Now I think it was because I was ignoring the warning signs and getting severely depleted. And when "introvert burnout" happens, it's not like getting tired. It's like when that battery-operated Duracell rabbit's batteries start to run out - my limbs stop being able to move properly, my head is a fog, and I know quite soon I won't be able to speak full sentences. Sometimes I have the feeling of wanting to crawl out of my own skin. I'm a car with no petrol.
What a bloody relief to find out why and how to fill myself up! And now I know what it feels like to have my full energy, it's a kind of bliss! Of course, I still overdo it (hence the cough which has lasted about 8 weeks). I keep thinking, I can go out to one more poetry reading, I can teach one more student. But nope, I can't. And I suffer. And have to cancel 4 events or students.
Interestingly, I read an article that was circulating last week on the Huffington Post entitled 18 Things Highly Creative People Do Differently. And many of them sound like introvert-type behaviours: daydreaming, observing everything, taking time for solitude, people-watching... I wonder if so many of my writer friends and I are introverts because we write, or we write to fill in all those hours we are alone... or - it's not that simple!
Anyway, being an introvert is not a diagnosis, not a personality disorder, not a problem at all. It's like being fair-skinned means I can't go out in the sun for long without suncream. That's just how it is. I can't go out too often without having to be alone (sometimes with the curtains shut during the day) so I can turn inwards. Up to 50% of the population of the US may be introverts, so it's probably something like that here too.
The point of all this is that when I am at full energy levels, everything - EVERYTHING - is easier. My thoughts don't spin real-life events into stories that have little basis in reality (I'm not talking about fiction-writing here, but about the monkey mind that persuades us of cause-and-effect where there may be none, generally to our detriment). I've got the energy to go against my instincts and stop for a split second before acting, before making a decision, to see if I am being true to the way I want to be in the world. That takes energy. I fail, a lot. I spend time thinking over - as the Stoics recommended - how I've dealt with people and what I can learn about being better. (I am a fan of the Stoics, and of Buddhism, although their approaches do diverge.) But I also try not to beat myself up for doing things "wrong". Because that's not kindness to me.
So, I guess what I am trying to say is this: paradoxically, in order to change my behaviour and be more like the way I want to be in the world, I have to first recognise and nurture the way I already am, the way I work best, in order to have the energy to change.
I'd love to hear your thoughts - on any of the above!
But basically we know what kindness, thoughtfulness, mindfulness and compassion mean, in large terms. And when I say "practice", that is accurate because in my experience it takes practice, it takes vigilance, it is not my default, it takes work. We do seem to be programmed to be defensive, to look for a tribe to join and to privilege, rather than seeing everyone around us - and further afield - as human beings in the same boat, with the same struggles. And, trying to be kind here to myself, I'm not going to come up with a list of excuses for why this is. It's easy to let go, lose sight.
The thing is, actively trying to change one's behaviour, to rewire the neural pathways so it might become more of a default action, takes energy. It is easy to keep driving in a straight line, on a well-paved road. Changing gear, turning the wheel, requires fuel. When I'm tired, stressed, not feeling well, it's far far harder to stick to my intentions. This is where the "Energy levels and Introversion" referred to in the title come in.
I discovered 2 years ago after reading Susan Cain's momentous book, 'Quiet: The Power of Introverts in a World That Can't Stop Talking' that I am introverted. I had thought, for years and years, I was some kind of weirdo, a hermit, anti-social, because of my need to be alone for substantial amounts of time. I was made to feel this way when I first decided, at the age of around 27, that I couldn't live with flatmates, needed to live alone. The flatmate I was living with at the time couldn't understand this at all, I think she actually preferred to never be alone (which I can now understand a little better - and shows the need for more talk about introversion and extroversion!) and she took it so personally she never spoke to me again.
What I didn't understand then was that being alone is not just a lifestyle choice if you're an introvert, it's a physiological necessity. I thought I would pass this on in case you think you're an antisocial weird hermit too. Well, you might not be.
If you Google "introvert" this is the first definition that comes up: "a shy, reticent person." Well, if you met me - those of you who have - you wouldn't use those words. I can perform on stage, I can talk in front of large groups of people, I can teach workshops, go to parties (well, hmm) - I can, in other words, appear to be what we call "extrovert" - but the difference is that all these things, all these interactions, drain my energy. Whereas a more extroverted person gains energy from these same interactions. And it's a scale - if you're half way along it, you're an ambivert!
To quote from Susan Cain's website Quiet Revolution -
introversion and extroversion lie at the heart of human nature. One scientist refers to them as “the north and south of temperament.” When you make life choices that are congruent with your temperament—and allow others to do the same—you unleash vast stores of energy. Conversely, when you spend too much time battling your own nature, the opposite happens: you deplete yourself.
And this isn't the same type of energy that can be replenished by getting a good night's sleep. I have some theories about the type of energy it is, I think it's to do with adrenaline, but I can't find any studies about this. I re-read Susan Cain's book the other day, and what stuck in my mind this time were the scientific studies about highly reactive babies versus non-reactive babies. The researcher had a theory that babies who reacted to every noise, every light, stimulus, would grow up to be introverts. And this turns out to be pretty much the case. I definitely feel that when I'm out and about, I don't do a great job of filtering - that sometimes I feel the world is shouting at me. I have trouble following conversations if there are more than 3 of us, I get easily distracted.
Reacting to many many stimuli takes energy. And perhaps we then need to be alone to replenish, but not just alone, "turned inward", which is what "introvert" actually means, so that we are not reacting at all, or doing the opposite of reacting, which is using whatever means we need to unreact.
This seems, for me and for others I've talked to, to involve a great deal of thinking. I think all the time. I think my way into trouble quite often, reading far too much into something, worrying about my own behaviour etc..., but then what's rather nice is I think my way through and out of it too.
Apart from the being alone and the thinking, I like to sit in corners when I am in cafes or events, to be able to observe without necessarily being seen. I'm awful at small talk (what a relief to know that there might be an "explanation" for that!). But when I have a deep conversation with someone, one-on-one, I can feel my energy reservoirs filling up!
Now, before I discovered this, 2 years ago, I think I was always depleted to some extent or other. I would get ill quite often. 15 years ago I was diagnosed with a thyroid condition, but I never believe this was the problem and stopped taking the medication. Now I think it was because I was ignoring the warning signs and getting severely depleted. And when "introvert burnout" happens, it's not like getting tired. It's like when that battery-operated Duracell rabbit's batteries start to run out - my limbs stop being able to move properly, my head is a fog, and I know quite soon I won't be able to speak full sentences. Sometimes I have the feeling of wanting to crawl out of my own skin. I'm a car with no petrol.
What a bloody relief to find out why and how to fill myself up! And now I know what it feels like to have my full energy, it's a kind of bliss! Of course, I still overdo it (hence the cough which has lasted about 8 weeks). I keep thinking, I can go out to one more poetry reading, I can teach one more student. But nope, I can't. And I suffer. And have to cancel 4 events or students.
Interestingly, I read an article that was circulating last week on the Huffington Post entitled 18 Things Highly Creative People Do Differently. And many of them sound like introvert-type behaviours: daydreaming, observing everything, taking time for solitude, people-watching... I wonder if so many of my writer friends and I are introverts because we write, or we write to fill in all those hours we are alone... or - it's not that simple!
Anyway, being an introvert is not a diagnosis, not a personality disorder, not a problem at all. It's like being fair-skinned means I can't go out in the sun for long without suncream. That's just how it is. I can't go out too often without having to be alone (sometimes with the curtains shut during the day) so I can turn inwards. Up to 50% of the population of the US may be introverts, so it's probably something like that here too.
The point of all this is that when I am at full energy levels, everything - EVERYTHING - is easier. My thoughts don't spin real-life events into stories that have little basis in reality (I'm not talking about fiction-writing here, but about the monkey mind that persuades us of cause-and-effect where there may be none, generally to our detriment). I've got the energy to go against my instincts and stop for a split second before acting, before making a decision, to see if I am being true to the way I want to be in the world. That takes energy. I fail, a lot. I spend time thinking over - as the Stoics recommended - how I've dealt with people and what I can learn about being better. (I am a fan of the Stoics, and of Buddhism, although their approaches do diverge.) But I also try not to beat myself up for doing things "wrong". Because that's not kindness to me.
So, I guess what I am trying to say is this: paradoxically, in order to change my behaviour and be more like the way I want to be in the world, I have to first recognise and nurture the way I already am, the way I work best, in order to have the energy to change.
I'd love to hear your thoughts - on any of the above!
Labels:
alone,
buddhism,
energy,
introverts,
kindness,
mindfulness,
quiet,
stoicism,
susan cain
Subscribe to:
Posts (Atom)












