Tuesday, September 28, 2010

My September


September started as it meant to go on, with a reading at Bristol's Thunderbolt pub on Sept 1st, sharing the bill with musician Richard Burley, as part of the monthly Word of Mouth event run by the inimitable Bertel Martin - thanks Bertel for the fantastic (and perhaps fantastical!) introduction! That was my first event in our new home town, which felt great. No pics of that event, but news to report is that it was divided into two sets, and in the first set I read some pieces from my book. In the interval I realised that I didn't really want to do that any more, after 2 years it's hard to read those stories fresh - fresh for me and for an audience. So in the 2nd half I read newer stories and a few I'd never read out before, and that really gave me an energy boost, showed me that I need to read something different each time I read, take risks, walk that short story writer's tightrope!

Event No 2 was ShedFest, on Sept 11th, in this glorious structure above! Bristol's - and perhaps the UK's - first lit fest in a shed, we all had 5 minutes to read, which for me meant reading 3 flash stories including Drizzling, my shed story, which is fairly unfathomable on paper so who knows how it went down?! Thank you to Mike Manson for a wonderful evening, not just of great writing but of great food and socializing in between.

Then I headed out of the city to Birmingham on September 15th for the "There's Science in My Fiction... and Poetry" open mic night I'd organised at the British Science Festival, with my co-judges, science-loving writers and bloggers Sue Guiney and Brian Clegg. The event was free, no tickets needed, and held at the amazingly-gorgeous Old Joint Stock Pub function room, so we really had no idea who would show up. We had prizes at the ready:

(photo credit: B. Clegg)
and we waited... 

Wonderful to meet Alan Beard and get a copy of his brand-new short story collection, You Don't Have to Say, from Tindal Street Press, being launched this Thursday (more about Alan soon). And then the science-inspired writers flocked in! Well, ok, it was a small and intimate crowd, but that lend itself really well to discussions about using science in different ways, and to great readings. All those who came read poems - from the tale of the first forensic scientist to a quark love story, and poetry explaining the origins of the moon. They were all wonderful, many were magical, such a variety, we were delighted! I was a little sad that there were no other short story writers, so next time we'll get you out of the woodwork! Congrats to our winner, Heather Wastie, and to everyone who came, readers and audience, and my esteemed fellow judges, it was a really fun event!


The White Road and Other Stories in the Frank O'Connor Fest window display in the wonderful Cork Waterstone's, who were so welcoming when I went in and signed a couple.
 The next day I flew to Cork to one of the biggest annual treats for a short story writer: The Frank O'Connor Festival. I had last been here 2 years ago, the week after The White Road and Other Stories was published, so had been in a state of mild hysteria the whole time. It was like short story summer camp that year, I met so many writers who have become great friends, from Alison McLeod and Adam Marek to Wena Poon and Nuala NĂ­ ChonchĂșir. This year, it was the American contingent, as 5 of the 6 shortlistees for the 35,000 euro Frank O'Connor International Short Story Award were Americans: Belle Boggs, Robin Black, Laura van den Berg, Ron Rash and TC Boyle (who didn't come due to injury), alongside David Constantine from the UK. 

Robin Black and I had been online friends, it was lovely to finally meet her, and to meet Laura van den Berg, whose collection we'd recently reviewed on the Short Review. I read on the Thursday night with Belle Boggs, whose stories I hadn't read and whose writing enchanted me! She read the first half of her story, Jonas, from her collection, Mattaponi Queen. Here we both are, relieved, after the reading.


(Photo: C Hershman)

As well as that event, I took part in a flash fiction reading in downtown Cork in support of Irish support of the arts, and in a panel discussion about the short story and new media, which both excited and terrified me! I have no pictures from the rest of the 4-day extravaganza, but the festival's photographer, the legendary John Minihan, will have done a far better job anyway, will link to those when they're online. Suffice it to say, it was non-stop readings, so many excellent writers, including Karen Russell, author of St Lucy's School for Girls Raised by Wolves, and Nyk de Vries, a writer from Holland whose ultra-short stories and prose poems and ultra-dry delivery just delighted us all. Every night the festivities moved to the local tapas bar where writers and readers mingled, ate and listened to more readings. Read Nuala's blog post about Tess Gallagher and Belle Boggs' blog here.Madeline D'Arcy reading her short story with props was a wonderful experience!


The highlight for me was listening to Nikita Nelin read his story, Eddie, I had chosen from 849 stories as the winner of 2010 Sean O'Faolain short story prize (full list of winners here). His story has a unique rhythm and poetry and I wanted to hear him read it. It brought tears to my eyes again and I heard things I'd never heard before, the mark of a great story. It will be published in Southword shortly, and Nikita wrote about his festival experiences on the Electric Literature blog. And huge congratulations to Ron Rash, winner of the Frank O'Connor International Short Story Award! 

Bleary-eyed and exhausted, I flew back to Bristol on Monday (was that just over a week ago? Really?) to rest up for the last few events. Then on Thursday, heavily medicated to decongest, I ran a workshop on research-inspired fiction at Bristol University's Engage conference on public engagement. I was pretty nervous, I'd never done anything like this before, but it was just talking about what I am passionate about so I hoped it would be ok. 13 of us - mostly scientists - discussed examples of fiction which uses science in different ways (see my web page here for examples) and then, after a tea break, we picked prompts from a recent copy of New Scientist and did some writing ourselves. The energy in the room was palpable, a flash-writing session always creates a wonderful buzz, and then most people read out what they'd written, a great variety of short shorts! I will write more about this in a guest blog post I've been asked to write for the Wellcome Collection blog shortly. 


If you're feeling exhausted by all this then perhaps stop here and don't read about how the next morning, sneezing and coughing, I headed off to Lewes, Sussex, to the Small Wonder festival! It's held in Charleston, the glorious house that was home to Virginia Woolf's sister, Vanessa Bell, and Duncan Grant:

(photo: Axel Hesslenberg)

If you are anywhere near, you must go and visit, it's as if they just stepped out and might be back any minute, a house whose air is filled with creativity and experimentation.
After attending the Small Wonder short story festival for several years as an audience member, I felt incredibly lucky to be invited to do a session on Flash Fiction, with my great friend and writing colleague Vanessa Gebbie. V and I met through flash fiction in 2006 and so it was lovely to be up there on stage with her, talking about what flash fiction is and might be and reading 10 short short stories between us. Here we are in full flow:

(photo: Axel Hesslenberg)


We did a book signing afterwards and then repaired back to the very special Authors' "Green Room", which is the main house's kitchen, for dinner before the Short Story Slam. What a fantastic evening it was, and the whole weekend's events were a continuation of the literary delights from Cork, more talk of short stories and writing, more amazing writers... Here are Adam Marek and David Vann talking about their Sunday Times EFG Short Story Award shortlisted stories:


It was wonderful to see Robin Black, Karen Russell and David Constantine again, as well as so many other familiar faces. Enormous thanks to Small Wonder artistic director Diana Reich and her fantastic team, and to Colin McKenzie, Charleston Trust Director, for a wonderful introduction and summing up, running with my metaphor about flash fiction and very short flights ("the Easyjet of the short story world")!


I'm sure I've missed some people out here, my brain still isn't working properly, apologies if I've made any omissions. I came back home on Sunday night, missing my train in London due to appalling traffic, but even that couldn't diminish my elation at the weekend's events. Yes, I'm still sneezing and coughing, but would I have missed any of it? Most certainly not! Vanessa and I already have another invite to do our Flash Double Act next year, more on that nearer the time... I'm going to eat a load of oranges now and wend my way back to doing some writing, slowly slowly.

Monday, September 27, 2010

Catching up

This is a blog post to tell you I'm planning a blog post... Crazy September is over now, am recovering from the whirlwind, all went really well, no falling off any stages or completely losing my voice (almost...), I'll do a full report soon. Hard to know where to start. I just want to say: It's October this week? What?! Blimey.

Sunday, September 19, 2010

Sean O'Faolain Results - Winners, Shortlist, Longlist


I am delighted to finally be able to announce the full set of results of the 2010 Sean O'Faolain prize, which I awarded to the winner tonight in Cork - and unveil the longlist, which, as I said in an earlier post, really is a great achievement! (please excuse the odd layout, wanted to get this up quickly and the line breaks went haywire!)

The results are:
1st prize, Eddie by Nikita Nelin
2nd No Angel by Bernie McGill

Runners up
Ramon Shannon Cain
Big Bitchin' Cow Dave Wilson
The capital of Thailand Serge Shea
Sidetrack Judy Crozier

Highly Commended
Advice and Sandwiches P.G. O’Connor
Advice re Elephants Johathan Pinnock
Boa constrictor Analisa Raya-Flores
Ex-Boyfriend in Prison James Armour Young

Falling Elizabeth Baines
La Cumparsita at Paris Charles de Gaulle Claire King

Mamma Julia Gwynne

Man is Born to Trouble As the Sparks Fly Upwards Terese Svoboda

On the Night South Africa is Effectively Eliminated from the World Cup Liesl Jobson

Sleeping with the Brothers Karamazov Terre Ryan

Sparrow Nora Nadjarian

Afterlife Wes Lee

The Opposite of Fog Sara Kay Rupnik

The Tale End Susan Kim Campbell

We Call This Living; or, Ghosts Mac Barrett

You Would Feel Your Heart Fall Over Sarah Frost Mellor

 Shortlist (in order of story submission):


Advice and sandwiches P.G. O’Connor

No Angel Bernie McGill

Seeing Things Deena Linett

You would feel your heart fall over Sarah Frost Mellor

Red Flyer Tom Bryan

We Call This Living; or, Ghosts Mac Barrett

I Want You to Say It Alin Fenn

The opposite of fog Sara Kay Rupnik

Man is Born to Trouble as the sparks Fly Upwards Terese Svoboda

Falling Elizabeth Baines

Afterlife Wes Lee

Ex-Boyfriend in prison James Armour Young

Sparrow Nora Nadjarian

The Tale End Susan Kim Campbell

Eddie Nikita Nelin

Advice re elephants Johathan Pinnock

Sleeping with the Brothers Karamazov Terre Ryan

Sidetrack Judy Crozier

Big Bitchin' Cow Dave Wilson

Tarts Paul O’ Reilly

Mamma Julia Gwynne

The Capital of Thailand Serge Shea

Ramon Shannon Cain

On the Night South Africa is Effectively Eliminated from the World
Cup Liesl Jobson

La Cumparsita at Paris Charles de Gaulle Claire King

Boa Constrictor Analisa Raya-Flores


Longlist (in order of story submission)


Sunday Afternoon Drop-Off Sarah Shepherd
One of These Days Rachel J. Fenton
Advice and Sandwiches P.G. O’Connor
No Angel Bernie McGill
Tom, Aged 18 Annemarie Neary
Confessional Gail Francis
Wings David Hayden
The Aviary Chaiti Sen
Seeing Things Deena Linett
You would feel your heart fall over Sarah Frost Mellor
Three walnuts Frances Gapper
Night D. Shanahan
All that thinking Alison Wells
Who You love Owen Goodwyne
The X-ray Vision of Augustus Fletcher Christina Joyce Hauser
Red Flyer Tom Bryan
We Call This Living; or, Ghosts Mac Barrett
Filch Alison Wells
I want you to say it Alin Fenn
The Opposite of Fog Sara Kay Rupnik
MAN IS BORN TO TROUBLE AS THE SPARKS FLY UPWARD Terese Svoboda
SWEET HEALER, GUIDE MY FOOTSTEPS Brian George
The girl and the house bear Kip Robisch
Falling Elizabeth Baines
Afterlife Wes Lee
Living Doll Pauline Masurel
Ex-boyfriend in Prison James Armour Young
Sparrow Nora Nadjarian
The tale end Susan Kim Campbell
Sitting ducks Kathleen Murray
Eddie Nikita Nelin
Advice re elephants Johathan Pinnock
Sleeping with the Brothers Karamazov Terre Ryan
One Way Out Mariad Whisker
Canyon Mary Volmer
Sidetrack Judy Crozier
Big Bitchin' Cow Dave Wilson
Tarts Paul O’ Reilly
Mamma Julia Gwynne
The last songs Benjamin Judge
The capital of thailand Serge Shea
A passage from imagination to reality Anna Delany
Old ma wichello Nicholas Rawlinson
Ramon Shannon Cain
Orchard Véronique Hyland
On the Night South Africa is Effectively Eliminated From the World Cup Liesl Jobson
La Cumparsita at Paris Charles de Gaulle Claire King
Boa constrictor Analisa Raya-Flores

Huge congratulations to everyone who entered, whether or not your name is here!

Wednesday, September 15, 2010

PANK magazine and Science in My Fiction

I have a story in this month's issue of PANK magazine, Vegetable, Mineral, which was a finalist in their 1,001 Awesome Words competition last year (this year's is still open). (The same story was joint winner of the 2008 Biscuit Flash fiction comp, publication wasn't a condition of winning the comp.) I'm looking forward to reading the rest of the September issue, PANK is one of my favourite magazines, just stunning! And... you'll be able to hear me reading the story on the new audio mag 4'33 shortly.

I'm off to Birmingham today, to adjudicate, along with my science-loving writer friends Sue Guiney and Brian Clegg, the first "There's Science in My Fiction and Poetry" Open Mic night at the British Science festival. This is what it's all about:

There's Science in My Fiction... And Poetry
 7-10pm, Wed 15th Sept, The Old Joint Stock Function Room
"What if..?" ask both scientists and fiction writers. What if a gene mutates? What if she never married him? Science is fabulous inspiration for fiction - come read out your science-inspired stories and poems to win great prizes, including a Focus magazine subscription and champagne. Science-inspired authors Tania Hershman, Sue Guiney and Brian Clegg will judge. Put some science in your fiction!
More details here.
If you're in Birmingham, come along to read or just to listen! Hope to see you there.

Thursday, September 09, 2010

A tale of how I got published

It's The White Road and Other Stories' 2nd birthday of  this week, time really has flown by. And to commemorate, How Publishing Really Works has posted my "tale" of how I got published. I thought I'd tell it a little differently this time (I wrote it a few months ago...):
1. The girl reads everything. She reads books through every meal. She finishes the entire section in the library for 8 year olds and moves on. One day, she thinks, she will hold a book with her name on it.
2. The girl doesn’t find her English classes very inspiring, but she loves maths. She gets steered by her teachers towards science and away from literature, and ends up studying maths and physics and University. But words are her medium, not bunsen burners. She writes for the University newspaper and then discovers there is such a thing as a science journalist. Ah, she thinks.
3. She studies philosophy of science, then a diploma in journalism, and moves to Israel, where she interviews excited inventors and scientists for American and British magazines for over a decade. But a little voice in her head is saying “You’re reporting on their creativity. Where’s yours? Where’s yours?”
....

I am very very lucky that, two years later, my book - which has just had its 15th print run -  is still getting reviews, not something I ever dreamed of when I dreamt of having a book. There are so many amazing things that have happened over the past 24 months that I would never have dreamed of!  Alison Wells and Jim Murdoch have shared their thoughts on their blogs recently, Jim's is almost an essay rather than a review, with footnotes. I am very grateful to them both for taking the time to think about and then write about my stories. A writer cannot ask for more!

I have just finished reading Kasia Boddy's excellent The American Short Story Since 1950, and will write more abuot that on the Short Review blog soon. There's so much in there, I felt like I learned an enormous amount about the history of the short story, and it is filled with wonderful quotes from many writers about the form. I met Kasia when she interviewed Lydia Davis at the London Review Bookshop a few weeks ago - a thrilling night it was! I am delighted that Lydia agreed to be interviewed for the Short Review and sent me her answers to my questions yesterday. Now I need to review her 250-story Collected Stories, a mammoth task! I've read it through once already, there is so much in there to delight and provoke. Highly recommended!

Wednesday, September 08, 2010

Guest blog post on Tomlit

First, just to let you know, I will be publishing the Sean O'Faolain prize longlist here on my blog after the winner has been announced, in 2 weeks.

Second, I am delighted to be a guest on the Tomlit blog today, talking about trust between a writer and a reader. I wrote this post, "It's All About Trust", a few months ago, it was interesting for me to re-read it given the 849 entries I just read for the S O'F! Here's a snippet:
I don't read to relax, not in that same way. I don't read to be entertained, to watch the story unfold. I read to become engaged with the story, to have it enter me, grip me and twist my insides. I want to be changed by what I have read. If it is all there for me, laid out in front of my eyes, where is my place inside this story or novel? What is the role of my imagination if everything is handed to me on a plate?

 Read the rest of the blog post.

Monday, September 06, 2010

Stories for Pakistan - Submit Yours Now

That amazing man, Greg McQueen, who, when the rest of us were sitting and watching, horrified, at pictures of the earthquake in Haiti, got up out of his chair and actually did something, raising £4000 for the Red Cross with 100 Stories for Haiti, is at it again. In his own words:
Once again I find myself unable to keep ignoring the need to do something. This time it is Pakistan … The United Nations estimates that twenty million people have lost their homes as a result of the flooding that started last July. Add to this the thousands who have already lost their lives, and the thousands who will lose their lives because of famine and disease … And well, it is once again time to do something!
100 Stories for Haiti has raised about £4000 for the Red Cross Haiti Earthquake Appeal. I am honoured and proud of the effort put in by writers and readers in supporting the project … So, let’s do it again!

Stories for Pakistan.

Let’s put together a book of 50 stories, each no more than 500 words in length. Any subject or genre is acceptable, however, no stories with any violence, death, or mass destruction.
Let me repeat that and add some extra rules just to be clear … Blimey! Anyone would think I’d done this before!
  • 500 WORDS MAXIMUM.
  • ANY SUBJECT OR GENRE.
  • NO STORIES WITH ANY VIOLENCE, DEATH, OR DESTRUCTION.
  • NO MULTIPLE SUBMISSIONS.
  • NO EMAIL ATTACHMENTS!
Please cut & paste your story into the body of an email, include your name, postal address, email address, and (if you have one) website. Include a short bio if you have one. Short, as in, one or two paragraphs.
ANY SUBMISSIONS FAILING TO FOLLOW THESE SIMPLE RULES WILL BE INSTANTLY REJECTED.

Please send your stories to storiesforpakistan@gmail.com
Stories for Pakistan will go out as an ebook and paperback published by Big Bad Media. We will also look to producing an audiobook version, as well as a version packaged as an iPhone app.
Proceeds will go to the Red Cross Pakistan Floods Appeal.
I am just about to send something in, why don't you do that too? Thank you, Greg, for once again rousing us to action!

Wednesday, September 01, 2010

Sean O'Faolain Short Story Prize shortlist

Apologies for leading you to expect a longlist, my fault, I'd misunderstood. But I am delighted to announce that the shortlist is now published, read it here. Congratulations to all!

Wednesday, August 25, 2010

Roundup of news

While we're all waiting for the Sean O'Faolain longlist to be published - soon, soon! - here's some news from me. First, I've just had an audio story accepted by the brand new audio magazine 4'33, which refers to roughly the minutes it takes to read a 1000 word story. The mag is looking for "edgy, engaging stories about modern life" of under 1000 words, and they've accepted me reading my flash story, Vegetable, Mineral, which was joint winner of the Biscuit Flash Fiction competition and a runner up in the PANK 1001 Awesome words comp last year (this year's comp now open) and will be published in PANK in September. It wasn't a story I'd ever read out before, it is mostly dialogue and I wasn't sure it would work. Anyway, the editor seemed to think it did, will let you know when it's available - do check out 4'33, it sounds (ha!) wonderful!

I've also got a new story, Einstein Plays Guitar, in the next issue of an excellent print mag A Capella Zoo, out soon.  Talking of lit mags that want your short stories, I had a request so I've turned my Ever-Growing List of UK & Irish lit mags into a PDF for you to enjoy offline. Click here and take it home. 115 mags and counting...

And if you think that since I don't have another 849 stories to read I'm just lazing around, painting my toenails, here's a heads-up of my events for September. Taking a deep breath:

Sept 1st: I'm sharing the bill at Word of Mouth at the Thunderbolt in Bristol at 8pm with songwriter Richard Burley. I'll be reading flash stories, he will be singing, and great fun will be had by all!

Sept 15th: There's Science in My Fiction... And Poetry, 7pm: Along with my science-loving writer friends Brian Clegg and Sue Guiney, I'm running a science-inspired fiction and poetry Open Mic night at the British Science Festival in Birmingham. Come along and read your sci-lit to win great prizes, including champagne and a subscription to Focus magazine - and much glory! It's free! Details here.

Sept 16th/19th: Frank O' Connor Short Story Festival, Cork, Ireland, Sept 16th 7.30pm: I'm delighted to be reading together with two excellent writers shortlisted for the Frank O'Connor International Short Story Award, Robin Black and Belle Boggs. I'll be warming up the crowd with some short shorts.... and then on Sept 19th I'll be presenting the Sean O'Faolain award to the winner just before the Frank O'Connor award is announced. Nailbiting stuff. The festival line-up is extraordinary: Claire Keegan, TC Boyle, Ben Greenman, Karen Russell, David Constantine, Tess Gallagher, Laura van den Berg, David Vann, Louis de Bernieres.... wow. Check out the brochure.

And yes... there is more.

Sept 23rd: I'm running a workshop on research-inspired fiction at Bristol University's Engage public engagement conference, looking at conveying research - and science in particular - to different audiences through fiction. I'm quite into that sort of thing, in case you hadn't noticed! I'll be talking about lots of my favourite science-inspired novels and stories, and we'll be doing a bit of writing too.

...and straight afterwards...

Sept 24th: An Electric Flash: My great friend Vanessa Gebbie and I are bringing the smallest of wonders to England's only Short Story Festival, Small Wonder, in Charleston. We will be talking about flash, reading flash stories and generally extolling the virtues of extreme brevity!

Looking further ahead, I've got some plans for a Bristol event for National Short Story Week...

and then in 2011 I am thrilled to announce that I will be teaching an Arvon Foundation course on the short story together with the most fabulous Sarah Salway (who is up a mountain right now), at The Hurst! When Arvon asked me, I got quite emotional, because the two Arvon courses I went on were life-changing experiences. I only hope we can attempt to pass that on.  Our guest that week will be Jim Friel. It's going to be amazing.

Ok, so that's pretty much it. I'm quite exhausted just writing that, but immensely excited. It's ALL short stories, and some are even sci-lit. How lucky am I??! Hope to see some of you there, somewhere. Going to lie down now for a bit, save my energy.


ADDENDUM:

Two more bits of niceness: just got invited to read at the UK's first literary festival in a shed! (I have a very short story set in a shed, will try that one out).  And... my grant money from the Arts Council has just been paid in! Now I really have to get to work.

Tuesday, August 17, 2010

My judging process or How I read 849 Stories in Two Months

I've finished the judging for the Sean O'Faolain short story competition, sent my decision in on Monday. The longlist will be announced next week, I'll let you know when it's posted. In the meantime, I thought I'd reflect on how it was for me, what I learned as a reader and as a writer.

849 stories. No sifters, no first readers. Just me. I'd heard from previous judges that I should pace myself otherwise I could be overwhelmed! So I did. And although I was getting 100 or so stories at a time - and two large parcels in the post of about 100 printed stories each - I remained mostly calm. It's a joy and a privilege, first to be asked to pick only what I love, and second to have hundreds of writers entrust me with your stories. I don't take that lightly. I've done it myself, many times. You do send out a small piece of you whenever you submit anything. I took that responsibility very seriously.

I am not, of course, going to mention individual stories, nothing like that. But I thought it might be useful - for me and for others - to talk about what it was like to be the sole judge. Of course, each judge is different, each short story competition is different, and most will have readers and only pass on a long- or short-list to the final judge.

What I tried to do when opening or picking up each new story for the first read was to say to the story: "Wow me. Show me what you've got!" and be completely open. At the beginning, as I read the first 100, I was quite nervous. What if I didn't find a single story that I liked? I mean, really, I'm very picky, I read lots and lots of short stories, all the time, and I know what a great story feels like, what it does to you. I was going to settle for nothing less than that physical jolt of a fantastic short story, that slap in the face, that sensation that you simply can't read anything else, you have to stop and digest what you've just read.

As I read, stories started making it into the Maybe pile. These were stories that stood out for various reasons: beautiful use of language, strong character voices that I could hear as I read, unique settings or situations, utterly bizarre plots I felt I had to read again!

The ones that didn't make it into the Maybe pile were those that tended to take a long time to get to any action, to explain too much to me, to overdo it on the background information, to not have a "voice" so that I couldn't hear the character, or to use very flowery language which I felt got in the way rather than enhanced the story. Stories that didn't make the Maybe pile were those that felt as though I'd read them before, somewhere, that they were familiar, too familiar, in terms of storyline or characters.  

Very very few stories made it straight into the Yes pile, and those were the ones that on first read gave me that jolt. No doubt about it. They shook me up. They had everything that, for this reader, makes a great and winning story.

After reading a few hundred of the earliest entries, I had quite a few Maybes and one or two Yesses and so I was feeling far less nervous. I had stories I liked, loved even, and from that point on, while also saying to each story "Wow me", I was also reading with a slightly different eye. As more stories went into the Maybe pile and I realised I had "enough" stories that I liked, I think that I was tougher on the later stories. I asked slightly more of them, I said to them "So, how are you better than the ones I already like?" And as I got closer and closer to the last of the entries, this probably became more exacerbated, as I imagine it would for anybody.

I don't believe that this meant I gave less consideration to the later-submitted entries. Every story got equal consideration. But it is an inevitable part of a process like this. One way to completely avoid this might have been to wait until all the entries were in and then read them in random order, unrelated to when they were submitted. But that would have meant reading 849 stories in one week - and that would have been impossible!

However, on second read, things changed. I was going back and re-reading the Maybes, and the earlier entries were now being read in light of the later entries! So the process was balanced out. Several Maybes were moved to the No pile, and then I had my longlist, and it includes stories that were sent all throughout the entry period.

I then began the next stage, reading the few Yesses and the Maybes again and assigning each a score. This seemed to me to be the only way to try and narrow the list down. I didn't have a very elaborate scoring system, it was more of a gut reaction to each story. And on second read, not all the Yesses stayed in the Yes pile. I was looking for a story that gave up more of itself with every read - a story that has layers, that remains fabulous even when you know how it ends. This, for me, is the mark of a great story. There were several I had adored on first read but on second read, the magic, the jolt, just wasn't there. 

Anyway, narrowing it down was incredibly hard. All the longlisted stories wowed and delighted me in some way. All of them. Really, getting onto my longlist was the major achievement because it meant that a story leapt out at me from amongst hundreds. 

So, what made the move from longlist to shortlist? Much of it was down to those extremely difficult aspects of a story: beginnings and endings. In a few instances, stories had quite slow beginnings, they took too long, in my opinion, to get to the action. Once they got there, the story was great, but they needed a bit more revision. In other cases, endings let a story down. The story had gripped me, the voice was great, but I'd felt that the ending didn't satisfy me, didn't give me any kind of jolt. 

And what of the winners? Well, that was really really hard. In the end, all I could do was go with my gut feeling. It was so close, between all of the top stories. But the 1st and 2nd placed stories were the ones that brought me to tears as I read them again and again, they just had that power. I felt that they addressed so many themes so well and concisely, without labouring a point, and there was really nothing in there that wasn't in the service of the story, nothing extraneous. They both used language beautifully, with rhythm. And they had an oddness that I found very appealing but they were completely consistent within the odd worlds they created. 

I am sure that a different judge would have picked different winners. Maybe a similar longlist, I don't know, but I chose a winner that I felt really reflected my personal short story tastes, what I love to read. You'll get to read all six top stories in the next issue of Southword, so you can judge for yourself!

Is there anything you - and I - can take from this as writers? Well, here's the big one: to catch the eye of a judge - or a sifter - you have to do just that. Be eye-catching. Be DIFFERENT. But, and here's the hard thing, not gratuitously different. Not whizz-bang-let-off-fireworks different. Being different can be very very quiet. Being different can mean tackling the same theme - love and relationships, family dynamics, etc... - in a way that only you can do in your writing. Catch the judge's eye with your love for language. Or with a character who has such a distinctive voice from the first line that the reader is dying to find out more about him and what happens to him. 

Does a story submitted to a competition have to be different from one submitted to a literary journal? Now that's a very good question. It's been floated that there are "winning stories", that a competition winner is somehow more polished, better crafted. Well, I can only speak for myself but in the three comps I've judged this year, I wasn't interested in polish and craft. I'd far rather read a slightly messy and somewhat confusing story that took risks than a very neat story that plays it safe. 

I think, reading back over this blog post, that in fact none of it is very useful! I can't generalise much about anything. I still know what I love to read and what I don't. But there is never any way of knowing what a competition judge loves to read. As I mentioned a few months ago, I definitely don't love only the kinds of stories I write. 

So, in conclusion: write only what you want to write. Write only what you have to write. If you get longlisted, well that means you caught the judge's eye. If you don't that means that the judge liked other kinds of stories. Don't be disheartened. Send it out again. I'm happy to be back to doing that myself. I just sent 6 stories in to 2 flash fiction competitions. Will my experience as a judge help when they fail to get anywhere? I'm not sure, it will still sting. But I'll just send them out again.

Thursday, August 12, 2010

Calls for Submissions for New International Journal: Short Fiction in Theory and Practice

As I settle down to read the last 200 or so submissions for the Sean O'Faolain competition that arrived in the post this morning (very heavy box!), I got this email from the wonderful Alison MacLeod, and thought I'd post it here:
We are still accepting submissions for the new, international journal Short Fiction in Theory and Practice until the end of this month. As some of you know, we're aiming to publish a terrific range of pieces -- from writers, academics and editors.

If you feel you might have an idea to develop or a piece that is already taking shape, please see the Call for Submissions. We'd be pleased to hear from you. Although the standard submission length is, as you will see, 4,000 words (plus) for articles, we're also happy to consider shorter pieces. If you'd like to discuss an idea or a piece briefly before submitting, you're very welcome to email Ailsa Cox, the Principal Editor, at coxa@edgehill.ac.uk .
This sounds like it is going to be a very interesting publication, a worthy addition to the short story scene.  If you have an idea, do contact them.

Sunday, August 08, 2010

The Problem With Second Books: Advice Please!

I always heard people talk about how difficult writing the Second Book was. The first book is almost always written without any thought of publication. Dreams, maybe, but no realistic expectation that anyone is ever going to read it. That's how it was for me, anyway. The stories in The White Road and Other Stories were written over about 2 years. All the science-inspired ones, the longer ones, were written while I was doing an MA in Creative Writing, and I'd never had anything published. My only thoughts then were, Please let me have enough words to pass the MA! I just wanted to get enough stories written to make the word count. I wasn't thinking about how they might work together, it was hard enough to write one story, let alone consider questions of collections and structure. 

Now, things are very very different. Now my name is on the spine of an actual book, a book that's been read by people I'm not related to, a book that's received reviews. What a wonderful thing! But it certainly makes the writing of Book 2 a different experience. I feel watched. I have thoughts in my head of what a reviewer might say... and this is before I've really even started writing it! 

Also, it's going to be another collection of short fiction, but this time with a very strong theme or concept - inspired by biology, inspired by being in the University labs, and also as a fictional response to a classic 1917 biology book. I've never been in this situation before, having committed to writing an entire book that fits this concept, being funded to do this by the Arts Council. How do I conceive of this project in my mind? Yes, I wrote the Arts Council application and said I'd do all sorts of things that sounded so impressive - but how do I actually now carry that out?

One thing I am mulling over is whether I write all the stories and keep them to myself until the whole collection is ready, or do I send individual stories out along the way to see if any get published? This immediately throws up another question: should the stories stand alone? Now when you talk about short stories, or when I'd always talked about them, I'd always asserted that yes, any short story in a collection should stand alone. Should? Is there a should? I'd love some opinions here. 

This isn't quite the same as something like a novel-in-stories, I don't imagine the same characters cropping up. But the stories will seem different when read in the context of the concept, the fictional response to the 1917 book. Yes, I could include a quote from the book at the beginning of a particular story when I submit it to a lit mag... but increasingly I am wondering about the effectiveness of quotes at the beginnings of stories. Yes, I did it a lot in TWR, but I imagine a lot of people skipped the quote and just read the story.

Ok, I can already hear many of you shouting at me, "Don't worry about all that now! Just write and see what happens!" Yes, you're quite right. I should do that. This is me being neurotic, right? But it also feels like I should spend a little time contemplating before I embark on this, to set sail in the right direction. Or at least to set sail in a direction even if I then change course. Advice appreciated - has anyone else approached a second short story collection in a completely different way from the first? Or any second book? Also, as readers would you want each story to stand alone?

Friday, August 06, 2010

Southword 18 now online with my fiction selections

The fruits of my first gig as Fiction Editor are now unveiled, with the publication of Southword Issue 18! I am delighted to announce that the fiction line-up is:

Felstead & Waddell- Hair Stories
Paul McMahon- The girl with drowned sailors in her eyes
Nora Nadjarian- La Dolce Vita
Helen R. Peterson- The Honeymoon is Over
Angela Readman- Belief
Ethel Rohan- At the Peephole 
and  a short story translated from Chinese by Wang Zhousheng- The Beautiful Mushrooms

I hope you enjoy my picks, I'm off to finish reading the Sean O'Faolain entries! Some real gems there too.

Thursday, August 05, 2010

Dance Your Way to Psychic Sex

 A friend of mine, a published novelist, has just self-published a book under the name Alice Turing - and she is discussing how this came about over at Sue Guiney's blog today. It is a fascinating and inspiring story.The book was originally published by Random House in Germany and then no-one else picked it up, which left her feeling incredibly despondent. But then she had a thought. She says:
But what if I moved the goalposts, and made my own satisfaction the primary goal? What if my aim was to produce something beautiful, of a high standard which could be enjoyed by people I knew? What if I stopped jumping through hoops to sell books to readers I would never meet or hear from? What if I didn't have to make money from writing? What if I could just BE self-indulgent? Wouldn't that be lovely?

Well, it does sound lovely to me! Read the rest of the blog post here... I'm off to buy the book!

Monday, August 02, 2010

The First Story Sunday on Twitter

After leaving Facebook a few months ago, I've been using and enjoying Twitter much more than before, for its simplicity (no farmville, no distracting games!) and its usefulness, with people posting links to interesting and relevant articles, blog posts etc...Yesterday, I decided to start something up and see what happened: #StorySunday. If you're not familiar with Twitter, this is what's called a "hashtag", in other words it is how you set the topic of your tweet. And then people can search by topic. So, for example, #UKelection is a hashtag, or #WorldCup.

There is already #FollowFriday, where you post a tweet with names of people you follow on Twitter that you recommend to others, and #WriterWendesday, and also #FridayFlash, which is something I'm not completely clear about, but it sounds good!

The idea behind #StorySunday is that you link to a short story by somebody else that you've enjoyed recently. I was inspired by Sarah Salway's speech at the Bristol Short Story Prize awards ceremony where she said, stop having those discussions about whether the short story is alive or dead, if someone starts that, then just recommend some excellent stories for them to read instead. Such a great idea, something practical, show not tell!

For those of you who missed this and you are on Twitter, you can go and search for StorySunday. But I thought I'd also post all the stories people recommended here, so everyone can enjoy them, along with the name of those who Tweeted:

@taniahershman: The Father of Modern Chemistry" by Stefanie Freele in @PrimeNumberMag http://to.ly/5M7A

@danpowfiction: here's a link to Dorothee Lang's 'Sky Blue @Metazen http://bit.ly/a6eelA top piece of flash fiction

 @
jonpinnockI enjoyed this one by @orbific this week: http://bit.ly/bXWb31


@sara_crowley Enjoyed http://birdvillemag.com/i2-logan.html by @kirstylogan today (loved "squick of wet trainers...)  

@ benjaminjudge I'll add http://bit.ly/cruCzx by @lonlonranch to the mix if that's ok

@kirstylogan "I take long leisure tipping the velvet..." Still wildly in love with this Rachel Swirsky story: http://is.gd/dWIB8 

@SteveHimmer Mark Neely, "Self-Portrait on the Mountain" @wigleaf http://bit.ly/bwCnri 
@Jo_Simmonds Great story 'Spring never grows old' by Sam Jordison: http://bit.ly/dc9Z5P Love 3am magazine 

@sarahsalway one of my absolute favourites, A Real Doll by A M Homes - http://tinyurl.com/6qbj4c

@JHammons "Stations of the Cross" by Maggie Sokolik on @fictionaut http://bit.ly/dhLzhq

@sarahsalway   And here is interview with Alice Elliott Dark, author of the story I raved about at @BristolPrize - http://tinyurl.com/39w89gt
 
@AJAshworth Just taught me at Arvon, he's fab - Peter Hobbs, Deep Blue Sea http://www.theshortstory.org.uk/stories/index.php4?storyid=2

@OscarWindsor My first submission - a short short: http://tinyurl.com/34qj7b4 
This is one of my fave, recent, shorties: http://tinyurl.com/5pus5r

@scMFA   A  terrific story by @scMFA faculty member David Bajo archived at @FiveChapters: http://www.fivechapters.com/2009/lichen/

@ OscarWindsor  http://bit.ly/bIKmrb --A quirky, bloky, funny and really quite intellectual story from a fine short story wordsmith

@ Perednia   What You Pawn I Will Redeem by Sherman Alexie: http://www.newyorker.com/archive/2003/04/21/030421fi_fiction

So there you go, StorySunday recommendations for this week! Hopefully it will spread further next Sunday. May we all spend the week discovering wonderful new stories to share!

Addendum:
I managed to add a widget - see right - to display the latest #StorySunday Tweets! I'm quite proud of this.

Friday, July 30, 2010

Last chance to enter the Sean O'Faolain Short Story Competition

I'm about to stop my nagging, I truly am, but I wanted to make sure you all know that the deadline for the Sean O'Faolain Short Story Competition is approaching  - and has actually been extended for 2 more days due to the Irish Bank Holiday on Monday. Now, believe me, it's not that I don't have enough entries to read, they have been coming in daily...but I really want to read yours too! Here's a bit more from Munster Lit about the comp, to entice you:
 There are just a few days left to enter the Sean O'Faolain Short Story Competition. Date by date, we are ahead this year on last year in the number of entries we have received, but in deference to the fact that you have entered the competition before, you will be allowed a late email entry this year. Monday is a bank holiday in Ireland so we won't be able to  start wrapping up processing email entries until Tuesday August 3rd. You have until midnight August 2nd Alaska time (or before we get into the office Tuesday morning Irish time) to enter. The judge changes every year. Just to remind you what is at stake:
1st prize 1500 euro (US$1960 or £1250) at today's exchange rate and publication in Southword online, plus if you choose to come to Cork, Ireland to accept your prize we will provide hotel accommodation with breakfast, lunch, drinks, tapas for the five night duration of the short story festival (Wednesday September 15th to Sunday 19th. You will have VIP access to the literary stars...
2nd prize 500 euro and publication in Southword. 4 further prizes of 120 euro and publication in Southword.
Now, if you are concerned about the 3000-word limit, that you haven't got a story "long enough", let me calm your fears. 3000 words MAXIMUM and there is no minimum. Send in a story that perfectly fits its length, whether that be 200 words, 1500 words, or 2999 words (but not 3100 words, that one won't be eligible!). I have no quantity bias: grip me and I'm yours for as short or long as your story takes.
One more thing: please please check your story before you send it:
  • for spelling & grammar
  • for accidental duplication of pages
  • to make sure it's not the copy that one of your writing group members wrote their critique on (yes, that has happened!)
  • to make sure it doesn't have your name on it anywhere
So, for the last time, I say: Wow me!

Wednesday, July 28, 2010

On the Clock: Contemporary Short Stories About Work

I am delighted that my story Evie and the Arfids is being reprinted in a brand new anthology, On the Clock: Contemporary Short Stories About Work.

When I heard about this call for submissions I knew I had to send in this story, which is in my book and is about a middle-aged divorced woman who decides she needs to do something with her life and starts work at a company doing something nefarious with RFID tags. I am really happy to see Evie getting out and about even further.

Anyhow, On the Clock, which is edited by Jeff Vande Zande and Josh Maday, will be published by Bottom Dog Press in September and I'm thrilled to discover I am in excellent company: Michael Martone, Sean Lovelace, Matt Bell, Bonnie Jo Campbell are just those names I know already. (It seems that Dustin Hoffman is one of the contributors - another talent of his, or another Dustin?). Click here to download a PDF about the anthology with more information and an excerpt. Great cover, isn't it?

Monday, July 26, 2010

Thinner Than A Hair: Virtual Book Tour & Writing & Place

I am very honoured to be a stop on Adnan Mahmutović's Virtual Book Tour for his astonishing novella, Thinner Than A Hair , winner of the Cinnamon Press Novella Award. Adnan is a Bosnian Swede, a "homely exile" (according to his website), who teaches immigrant literature at Stockholm University in daytime, and works with people with mental disorders at night. His blog is Under the Midnight Sun.

This is a book that is 153 pages long but which is far from a quick and easy read, in the best possible way. It is a love story, a war story, a coming-of-age story - all of these and none of these. It shakes you, it shows you things you may never have seen, it is deeply human and utterly unsentimental.

The book's "heroine" is Fatima, in many ways a typical teenager who is not allowed to be when war breaks out. Fatima's voice is very strong, she is ironic, self-deprecating:
"When I was fifteen I hung a wooden plaque over the front door with an inscription: A Bosnian room. An exemplary living space of the exemplary population as it was preserved in the rural heart of the land. Don't touch! For a guided tour, ask the sulky attendant."
Adnan's prose is both poetic and grittily real. I cannot recommend this book highly enough. It is first and foremost a gripping story, with the added benefits of an insight into a time and a culture I had very little knowledge of.

I decided to ask Adnan not directly about the book, which you can read about on other virtual book tour stops, but ask him my set of "Writing & Place" questions, and then do a short "word association" giving him some words that came up for me while I was reading and asking him for his instant responses. Here are his answers:

Tania: Where are you?

Adnan: Stockholm, Sweden.

T: How long have you been there and how did you get there?

A: Twelve years. I moved to Stockholm in 1998, after five years spent in different refugee camps around Sweden. I left Bosnia in 1993, then spent time in Ystad, Uddevalla and a couple of years in the small town Mullsjö (which means muddy lake). My best friend ended up in Stockholm. I visited him many times and felt I wanted to live there. He fitted me with a bed in 1998, so I left my parents and started on my own.


T: What do you write?
A: So far I’ve mostly written short stories and novels about Bosnian refugees in the their new environments. Not necessarily Sweden, but almost always it’s about people moving. When I say moving I mean moving even when they have settled and integrated into their social spaces. Almasa, the character from [Refuge]e is mostly tied to certain places, but we get a sense she’s on the move. There’s instability in her dwelling. The title of that first collection of stories is supposed to give you that sense. The square brackets around ‘refuge’ give you an image of shelter, a closed space. The extra ‘e’ that makes the word ‘refugee’ is always outside that shelter, that home. Closed but on the move.

T: How do you think where you are affects what you write about and how you write?

A: I’m not entirely sure. Probably in subconscious ways. I hardly ever use a real place in my stories unless I’m far away from it. Another interviewer asked me why I call Stockholm ‘my city’ but never use it in my stories. I think I’m too close to it to start reimagining it.


Thinner Than a Hair Word association

HOME

Ho?me


IDENTITY

Train


WAR

Forgetting and rememory (Tony Morrison’s word)


FOOD

Butter, hardboiled eggs, salt, hard and dark bread, more salt, plum jam, rosehip jam, strawberry jam, orange juice spiced with lots of ginger.

(Note. I was answering these questions just before breakfast)


LOVE

Sharing. Sharing of one’s vulnerability.


Thank you so much, Adnan. I hope this has whetted your appetite. Buy the book from Cinnamon Press and receive a free copy of Adnan's short story collection, [Refuge]e.